Blues/Jazz

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Multi Interpretes

The follow-up to last years Jazz Loves Disney, volume two features a collection of jazz and world artists taking on classic Disney songs. Produced by Jay Newland, arranged and directed by Rob Mousey, Jazz loves Disney 2 A Kind of Magic features jazz icons George Benson, Madeleine Peyroux, Laura Mvula, Jamie Cullum and more, performing songs like Be Our Guest, Under The Sea, Beauty & The Beast, and other Disney greats.

Multi Interpretes
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Kamasi Washington

Earlier this year, avant-garde jazz titan Kamasi Washington premiered Harmony of Difference, an original six-movement suite, as part of this year’s Whitney Biennial. The EP is the first new music from Washington since his universally acclaimed 2015 debut album The Epic. Harmony of Difference explores the philosophical possibilities of the musical technique known as “counterpoint,” which Washington defines as “the art of balancing similarity and difference to create harmony between separate melodies.” Washington’s suite includes visual elements married to the musical works and draws voraciously on jazz for its foundation. Each of the first five movements is its own unique composition. “Truth,” the sixth movement, fuses all five compositions into one simultaneous performance. Beyond the artistic impulse to expand the possibilities within counterpoint, Washington wanted to create something that opened people’s minds to the gift of diversity. In his own words, “my hope is that witnessing the beautiful harmony created by merging different musical melodies will help people realize the beauty in our own differences.” “Against a backdrop of “fake news,” chemical warfare and presidential missteps, Washington’s 13-minute opus thrives with gospel-infused power, resting alongside his previous work while occupying new sonic space…. The huge scale makes his music feel like a sacred offering in bleak times” - Pitchfork Best New Track “a liberation theology for fearsome times” - New York Times “We can count on the man Kamasi Washington to deliver peace in the form of jazz” - The Fader “an expansive, winding new song...’Truth’ unfurls with breezy piano chords, soulful electric guitar counter-melodies, wordless choral chants and washes of the bandleader’s smoldering saxophone.” - Rolling Stone

Kamasi Washington
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Ella Fitzgerald

Ella Fitzgerald’s iconic vocals are given new life by marrying newly recorded string arrangements from the London Symphony Orchestra. Recorded at Abbey Road Studios, and conducted by James Morgan and Jorge Callandrelli, this new approach to Ella’s timeless music reinvigorates her catalog and is sure to excite and please long time Ella fanatics and classical music connoisseurs at the same time. Guest vocalist Gregory Porter also lends his incredible talent to "People Will Say We're in Love”.

Ella Fitzgerald
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Keyon Harrold

Keyon Harrold

The Mugician

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"The Mugician" features collaborations with world-renowned artists including Gary Clark, Jr., Bilal, Big K.R.I.T., Pharoahe Monch, Guy Torry, Robert Glasper, Georgia Ann Muldrow, Darin Atwater, James Poyser. Don Cheadle wrote the liner notes for this album.

Keyon Harrold
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Jesse Cook

“There are many borders in our lives. Some are built by others, some we create for ourselves. Whenever I have ventured beyond the borders in my life, I have been the better for it. Beauty, humanity, artistry, joy, wisdom, and of course love…these things don’t stop at some line on a page. If music is the universal language, maybe there is something it can teach us?”…Jesse Cook Following on the heels of One World’s critical and commercial success, Jesse Cook is ready to launch his new album Beyond Borders. This is the most sonically diverse and distinctive disc in Jesse Cook’s vast and varied catalogue. This catalogue has earned Jesse 11 Juno nominations and one Juno win for 2000’s Free Fall. Beyond Borders is an in depth musical journey exploring the exotic boundaries of World Music.

Jesse Cook
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Dee Dee Bridgewater

Dee Dee Bridgewater

Memphis ...Yes, I'm Ready

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Dee Dee Bridgewater has gone back to her beginning...Memphis, TN.

Born in the city known for its pivotal part in American culture, music and civil rights struggle, Bridgewater was part of an American legacy. After moving to Flint, Michigan, Bridgewater s childhood nights were spent tuning into Memphis WDIA, the first radio station in the nation featuring all-black programming. It was also the station where her father spun vinyl as the on-air disc jockey, Matt the Platter Cat.

This album is not only a return to Bridgewater s roots, but it offers ground-breaking re-imagining of American Blues and R&B classics with backing by the Stax Academy Choir, Kirk Whalum and recorded at Willie Mitchell s world-renowned Royal Studios. Co-Produced by Bridgewater and close friend Kirk Whalum (a Memphis native) the Memphis...Yes, I m Ready album features such crowd pleasers as Why? (Am I Treated So Bad) by the Staple Singers, I m Going Down Slow (Bobby Blue Bland) and Don t Be Cruel, among others.
In a career spanning four decades, 2017 NEA Jazz Master, three-time Grammy and Tony award winner, and UN Goodwill Ambassador Dee Dee Bridgewater is a pillar of the upper echelon of jazz artists.

Dee Dee Bridgewater
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The Jazz At Lincoln Center Orchestra With Wynton Marsalis

The Jazz at Lincoln Center Orchestra with Wynton Marsalis and special guests take you through 100 hundred years of jazz piano on Handful of Keys. Star pianists Joey Alexander, Dick Hyman, Myra Melford, Helen Sung, Isaiah J. Thompson, and the JLCO's own Dan Nimmer grab hold of all 88 keys and reveal the full extent of the piano's evolution over the 20th century.

Recorded on opening night of the 2016-17 Jazz at Lincoln Center season, Handful of Keys showcases a band in full stride, burning through electric arrangements of beloved compositions from James P. Johnson, Bill Evans, McCoy Tyner, and more. With guests ranging in age from 13-year-old prodigy Alexander (recently featured on '60 Minutes') to 89-year-old American treasure Hyman, Wynton Marsalis and the JLCO survey jazz piano's past and give the stage to several prodigies who are taking the instrument in bold new directions.

The Jazz At Lincoln Center Orchestra With Wynton Marsalis
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Van Morrison
Roll With The Punches – Van Morrison’s 37th studio album - sees him simultaneously hand-picking a selection of rhythm and blues classics (by the likes of Bo Diddley, Mose Allison, Sister Rosetta Tharpe and Lightnin’ Hopkins among others) and recording a set of new self-written songs. It’s an album that features raw, intimate interpretations of some of the cornerstones of rock’n’roll alongside five new numbers by one of our most consistently brilliant recording artists. Roll With The Punches was produced by Van Morrison and recorded with an incredible team of studio collaborators including Chris Farlowe, Georgie Fame, Jeff Beck, Paul Jones and Jason Rebello.
Van Morrison
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Rick Estrin & The Nightcats

“Infectious, captivating, powerful blues….Intense Chicago-style harp playing, witty songs and tough-as-nails grooves” –Living Blues Wildly fun, musically fearless and bursting with bravado, Rick Estrin & The Nightcats have created one of the blues’ most instantly recognizable sounds and no-holds-barred styles. Featuring the world-class talents of harmonica master, songwriter and vocalist Rick Estrin, guitar wunderkind Chris “Kid” Andersen, keyboard wizard Lorenzo Farrell and dynamic drummer Alex Pettersen, Rick Estrin & The Nightcats serve up sharp and incisive original blues and gritty roadhouse rock ‘n’ roll. With his wily and unforgettable original songs and his hipster, street-smart vocals, no one on the blues scene writes or sings like Rick Estrin. No one looks like him either, as Estrin is always dressed to the nines, sporting his trademark pencil-line mustache and pompadour hair. DownBeat says, “Rick Estrin sings and writes songs like the brightest wiseguy in all of bluesland and blows harmonica as if he learned at the knee of Little Walter.” Live, the band is simply unbeatable. They deliver a high-energy show capable of bringing any audience to its feet. According to Living Blues magazine, they play “captivating, powerful blues and roots rock with a wickedly cool and otherworldly twist on tradition. Intelligently conceived and executed… hugely entertaining." Rick Estrin & The Nightcats’ fourth Alligator album, Groovin’ In Greaseland, features 13 original songs, 11 by Estrin (including one co-write with Andersen), and one each by Andersen and Farrell. From the true life wisdom of The Blues Ain’t Going Nowhere to the rambunctious Hot In Here to the humorous Dissed Again to the hard luck Living Hand To Mouth, the album delivers one winning performance after another. The songs spring to life as richly detailed characters spill their secrets and share their stories while the band dazzles. One listen makes it clear that this is one of the tightest and most original groups in any genre, constantly inspiring each other to new heights. Groovin’ In Greaseland was produced by Andersen and Estrin and recorded at Andersen’s soon-to-be legendary Greaseland Studio in San Jose, California. For more than 30 years and nine albums, Rick fronted Little Charlie & The Nightcats, flawlessly combining his songs, vocals and harmonica with Little Charlie Baty’s one-of-a-kind guitar excursions. The band won international acclaim and toured the world repeatedly. They were nominated four times for the prestigious Blues Music Award for Band Of The Year. With Charlie’s retirement from touring in 2008, Rick took over leadership of the band. He knew the only way to replace Baty’s mind-melting mashup of blues, jazz and roots rock was to find someone with an equally insane and daredevil guitar approach. Rick knew that would be a tall order to fill. As luck would have it, Kid Andersen, who had been working with another harp legend, Charlie Musselwhite, became available. “Kid’s a fearless nut on the guitar,” says Estrin. “He’s really the only guy who could fit in with us.” With an unpredictable, uninhibited style that perfectly meshed with Estrin’s wildly imaginative songs, the new band charged out of the gate. Besides Estrin’s songwriting and musical skills, he and the band are among the most colorful showmen around. Estrin’s quick wit and signature look and Andersen’s spontaneous guitar acrobatics add spur-of-the-moment frenzy to their live performances. “People don’t go out to see people who look like themselves,” says Estrin. “They want to see something special. I was schooled in this business to be a showman, and that’s what you get when you come to see us perform.”

Rick Estrin & The Nightcats
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Charlie Parr

Charlie Parr

Dog [LP]

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Vinyl LP pressing including digital download. 2017 release. Charlie Parr is a singular songwriter who has built a dedicated, grassroots following for his haunting, topical songs and virtuosic picking, not to mention the fact that he's on the road 300 days a year. Based in Duluth, MN, Parr's inspiration is drawn from the alternately fertile and frozen soil of Minnesota; his songs exude a Midwestern sensibility and humility. The combination of growing up with both of his parents working proud union jobs in an industrial meat factory and his largely rural environment had a broad impact on Parr's writing. His second full album for Red House, Dog, is "about folks trying to get along when the atmosphere around them makes it difficult," Parr says, who was going through hard time in his life when the album was being recorded. He writes first person narratives as a "HoBo," a hoarder who's about to get evicted ("Pleasant Valley"), and a man who'd like to be appreciated before his funeral, not after ("I Ain't Dead Yet"). Sometimes darkly funny, sometimes just plain dark, it's a brilliant, rawly emotional album that's moving as all hell.
Charlie Parr
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Walter Trout

Walter Trout

We're All In This Together [LP]

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On September 9, 2017 Walter Trout will release a new album on Mascot Label Group/Provogue. The album will be out on CD, double vinyl, digital download and streaming. "We're All In This Together" features Walter with a different guest on each track, including artists Kenny Wayne Shepherd, Sonny Landreth, Robben Ford, Warren Haynes, Eric Gales, Joe Louis Walker, John Mayall and Joe Bonamassa. Gonna Hurt Like Hell (feat. Kenny Wayne Shepherd) Ain't Goin' Back (feat. Sonny Landreth) The Other Side Of The Pillow (feat. Charlie Musselwhite) She Listens To The Blackbird Sing (feat. Mike Zito) Mr. Davis (feat. Robben Ford) The Sky Is Crying (feat. Warren Haynes) Somebody Goin' Down (feat. Eric Gales) She Steals My Heart Away (feat. Edgar Winter) Crash And Burn (feat. Joe Louis Walker) Too Much To Carry (feat. John Nemeth) Do You Still See Me At All (feat. Jon Trout) Got Nothin' Left (feat. Randy Bachman) Blues For Jimmy T. (feat John Mayall) We're All In This Together (feat. Joe Bonamassa)

Walter Trout
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Boney James

4-time GRAMMY nominee and multi-platinum selling saxman Boney James lays it all out there with his new CD 'Honestly'. Says Boney, 'The title reflects how I aspire to live my life and create my music. I try to do what I can to make the world a more pleasant place.' 10 songs (9 co-written by Boney) with chart-topping special guests Avery*Sunshine and Eric Roberson on vocals. 'Honestly' is an affirmation of the power of Music.

Boney James
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Trombone Shorty

Trombone Shorty

Parking Lot Symphony [LP]

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Trombone Shortys' Blue Note-debut, Parking Lot Symphony, captures the spirit and the essence of The Big Easy, while redefining its sound. Blazing through 70s Funk, Rock, Hip-Hop and R&B, Parking Lot Symphony was produced by Chris Seefried (Andra Day, Fitz and The Tantrums) and features songs co-written by Aloe Blacc, and Alex Ebert (Edward Sharpe & The Magnetic Zeros).
Trombone Shorty
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Kenny Wayne Shepherd
Kenny Wayne Shepherd is already considered to be at the forefront of contemporary blues. This time around, Kenny applied his talents to writing by woodshedding with several prominent Nashville hit song-writing teams (Keith Stegall, Mark Selby & Tia Sillers, Marshall Altman, Dylan Altman & Danny Myrick). Marrying these songs with his trademark guitar-playing will help expand his already growing base. The album is produced by Marshall Altman (Natasha Bedingfield, Matt Nathanson, Kate Voegele, Amy Grant).
Kenny Wayne Shepherd
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Fred Hersch

Fred Hersch

Open Book

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Fred Hersch has long been acclaimed as an exploratory artist, an outspoken activist, an influential educator and a uniquely revelatory and lyrical pianist. As one of the most expressive voices in modern jazz, Hersch has never been shy about letting listeners glimpse his most intimate thoughts and emotions. In September, however, Hersch's fans will be treated to even deeper, more revealing insights into the story of the renowned pianist when he publishes his much-anticipated memoir, Good Things Happen Slowly: A Life In and Out of Jazz. As a companion piece, Hersch decided to present an equally direct and vulnerable glimpse into his private musical thoughts with his 11th solo release, Open Book.

The seven pieces on Open Book (out September 8 on Palmetto Records) offer some of the finest, most unguardedly emotional solo music that Hersch has created in a career unique for its profound poignancy and passion. Recorded in a South Korean concert hall on a superb Hamburg Steinway concert grand piano, the album captures the vital essence of the revelatory adventurousness and intense beauty that have made Hersch one of the most important solo artists in jazz. With more than 40 albums to his credit as a leader or co-leader, Hersch remarkably continues to discover new areas of inspiration and depths of feeling.

For the last two and a half decades I've been pretty open about who I am, what I like and what I m dealing with at times, Hersch says. But I've always got to dig deeper, and I thought this might be a chance to make an album that s a window into the kinds of things that I play at home or don t play in public all that much.

The album arrives during a momentous month for Hersch. On September 12, the esteemed publishers Crown Archetype (Penguin Random House) will release Good Things Happen Slowly, Hersch's bravely confessional memoir. The book covers the pianist s meteoric rise in jazz from his sideman days alongside masters like Art Farmer and Joe Henderson to his gradual recognition as one of the most individualistic and innovative artists of his generation, a ten-time Grammy Award nominee and winner of countless accolades including being named a 2016 Doris Duke Artist as well as the same year s Jazz Journalists Association Pianist of the Year. But it also frankly reveals his story as the first openly gay, HIV-positive jazz musician, tracing his path through hedonistic post-Stonewall New York City to the dramatic two-month medically induced coma in 2007 from which he emerged to make some of the most stunning and captivating music of his career.

Later that month Hersch will reprise his ambitious Leaves of Grass full-evening piece at Jazz at Lincoln Center's Appel Room, the first time the song cycle has been performed in New York City since 2005. Vocalists Kurt Elling and Kate McGarry will reprise their roles from the original project, which sets the verse of American bard Walt Whitman. The legendary poet s timeless ode to the miracle of nature and openhearted love of all beings seems especially vital in our present socio-political moment.

The centerpiece of Open Book, and the spark that ignited the album, is the nearly 20-minute improvisation Through the Forest. Unique in Hersch's extensive discography, the stream-of-consciousness gem is a miniature masterpiece of narrative development, a compelling journey through an abstract, glimmering landscape, revealing that in his early 60s Hersch continues to take creative risks and daunting inventive leaps.

Fred Hersch
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Herb Alpert
The newest album from Herb Alpert! Featuring the new single "Flamingo" as well as iconic covers of classics like "Unforgettable", "Cheek To Cheek", and John Lennon's "Imagine"
Herb Alpert
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The Cash Box Kings
“One of the best blues bands in the land.” – Living Blues “Virtuoso musicianship…rocking and irresistible.” –No Depression “Gloriously retro with an inspiring eloquence and grace.” –Vintage Guitar With deep feeling and top-shelf talent, house party masters The Cash Box Kings play tough, real deal classic Chicago blues with boundless energy. They also deliver raw, passionate Delta blues, jumping proto-rock ‘n’ roll, and steamrolling “bluesabilly,” an original mix of Chicago blues and Memphis rockabilly. As anyone who has ever been to one of the band’s raucous performances will testify, The Cash Box Kings are old school blues masters. They’re fueled by the powerhouse harmonica work of Madison, Wisconsin-based songwriter Joe Nosek and the huge, gritty vocals of Chicago bluesman Oscar Wilson. Their original songs range from humorous stories of Internet love to harrowing tales of Chicago’s violent gun epidemic. Every song they perform – be it a striking original or a scorching Chess, Sun or Vee-Jay cover – explodes with contemporary authority and radiates old-school authenticity. According to Grammy Award-winning blues legend Charlie Musselwhite, “The Cash Box Kings play with real taste and feel. Not only is it good blues but it’s a jumping good time, too! I ain’t lyin’!” Joe Nosek founded The Cash Box Kings in Madison, Wisconsin in 2001 and, since 2007, has co-led the band with the charismatic, larger-than-life vocalist Oscar Wilson. Over 20 years apart in age and coming from vastly different backgrounds, the two form an unlikely pair, combining Wilson’s indisputably authentic inner city Chicago blues vocals with Nosek’s songwriting, singing and harmonica talents. The music they create is brilliantly displayed on The Cash Box Kings’ Alligator Records debut, ROYAL MINT. According to Wilson, “The Cash Box Kings is a throwback to the golden age of blues with some kickin’ fresh young blood. Joe is my best friend in the music world – the band is a marriage made in heaven for both of us.” “Oscar is godfather to my oldest son,” says Nosek. “We have each other’s backs. We’re family.” ROYAL MINT features 13 hard-hitting songs, including six impressive originals. From the wry, politically-charged Build That Wall to the chilling Blues For Chi-Raq to the funny and too true If You Got A Jealous Woman Facebook Ain’t Your Friend to the timeless covers of songs by Robert Johnson, Muddy Waters, Junior Wells, Clifton Chenier, Amos Milburn and Jimmy Reed, ROYAL MINT shuffles, jumps and gets down and dirty, fueled by the band’s unmatched musicianship. According Nosek, “ROYAL MINT is our strongest album. The band is at its absolute best.” Nosek refers to the group of top-notch traditional players who comprise The Cash Box Kings as “a blues collective.” Live and on record, members of the “collective” appear in different combinations for different performances, creating an anything-can-happen experience. In addition to co-leaders Nosek and Wilson, the full ensemble includes first rate guitarists Joel Paterson and Billy Flynn, drummers Kenny “Beedy Eyes” Smith and Mark Haines, bassist Brad Ber and newest member Lee Kanehira (replacing longtime pianist, the late Barrelhouse Chuck) rounding out the band. In their first six years, The Cash Box Kings won a large and loyal audience across the Midwest. Wilson joined the band in 2007 bringing with him an instantly commanding stage presence and an authoritative vocal style that gives fire-breathing power to the music. A self-taught musician and singer with an encyclopedic knowledge of almost every blues song known to man, Wilson – standing 6’1” and weighing over 300 pounds – is a natural-born entertainer and a perfect foil for Nosek and the band.
The Cash Box Kings
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