This Super Deluxe limited edition package features a new stereo mix of the album by Bob Clearmountain from the original analog masters. The package also features the previously unreleased complete “Live At Woodstock” performance from 1969, the Classic Albums – The Band documentary, and thirteen bonus tracks. Bonus tracks include six previously unreleased outtakes and alternate versions. The exclusive book features a new essay by Anthony DeCurtis and classic photos by Elliott Landy.
Grammy-winning and BRIT and Mercury-Prize-nominated artist La Roux returns with her first new material in five years - 'Supervision' out February 7th 2020 on her own label Supercolour Records. From cover to contents, this is unequivocally the album Elly Jackson always wanted to make - a claim that with some artists might ring alarm bells, but in this instance simply means that ‘Supervision’ sounds precisely, unmistakably, gloriously like La Roux.
La Roux shot to worldwide fame with her debut self-titled album in 2009 selling over 6 million singles worldwide and - in addition to collaborations with the likes of Skream, Kanye West, and Major Lazer – helped reshape pop as we now know it. Elly’s second album, 'Trouble In Paradise', was a critically-adored reinvention, topping the Dance/Electronic charts in the US and landing La Roux her second top 10 album in the UK.
ANDY SHAUF is becoming one of the most important songwriters of his generation. His songs are tuneful vignettes of small moments and big hearts. On his latest, The Neon Skyline, Shauf intertwines stories of a group of friends who frequent a local dive bar, and through them, makes poignant observations about human nature with a novelist’s detail and melancholic humor. The songwriting is down to earth, yet sophisticated and inventively melodic. The Neon Skyline is a creative leap for this already acclaimed artist.
Starting with the following year’s Under Wires And Searchlights, they’ve created an explorative body of instrumental work that’s shifted between electronica, dub, minimalism, avant-jazz and ambient music. Along the way they’ve collaborated with the likes of Jah Wobble, remixed Max Richter and Vök and provided soundtracks for art installations and other visual media. They’ve also had their own music remixed by Biosphere and Japan’s Steve Jansen, among others.
The new album offers ample evidence of a band in its prime. Marconi Union still sound vital and original, enthused by the possibilities that music has to offer. “We’ve never wanted to repeat ourselves,” states Talbot. “We’ve made ten albums and have been going for 17 years, but it still feels fresh. That’s been so important for us all the way through. We’re looking to do new things all the time” co-founder Richard Talbot says.
Indeed, the exquisite Dead Air bears only a passing resemblance to its 2016 forerunner, Ghost Stations. The trio have dispensed with beats, brass and guest musicians this time around, opting instead for a more intimate and textural approach, a constantly evolving soundworld of tones and sensory impressions. Dead Air also bears little resemblance to the trio’s initial vision for it. “The album we set out to make had far more of a rhythmic element,” explains Talbot, “but fairly late in the process, we decided to completely change direction.” This is entirely in keeping with Marconi Union’s guiding methodology. Ideas remain fluid throughout the writing process, until Talbot and bandmates Jamie Crossley and Duncan Meadows ultimately settle on what feels right to them.
As such, Dead Air is a sublime testament to their collective instinct.
Marconi Union’s most successful album to date is Weightless (Ambient Trans- missions Vol. 2). ‘Weightless is widely considered to be ‘the most relaxing track in the world’
Tony Award–winner Idina Menzel has a career that traverses stage, film, television, and music and in time for the holidays she releases an album of traditional and brand-new songs featuring Ariana Grande, Billy Porter, Josh Gad and her husband, Aaron Lohr. Timed to coincide with the release of Disney’s Frozen 2, which includes Idina’s unforgettable voice in the title role of Elsa, this new album is sure to bring friends and family together throughout the holiday season.
JD McPherson presents A Christmas Album, SOCKS. Featuring 11 original tracks written by JD McPherson and his friends. SOCKS is an album of Holidays songs sure to be standards while you are decorating the tree. Come get warm by the fire with songs such as , "All The Gifts I Need" and "Every Single Christmas." Or, burn the cookies to "SOCKS" and "Ugly Christmas Sweater." There is something for everyone on this record to enjoy whether you are in the Christmas spirit or if you just wanna say, "Bah Humbug".
"In January 2019 I found myself stuck in a Chicago hotel room during the “Polar Vortex”. I was performing there with my duo Radnor & Lee over a few nights when temperatures dropped, leaving me unable to do much outside my hotel room for 4 days.
Chicago is a city that holds a special history for me, and I found myself spending a good chunk of time staring out my hotel window, reflecting on my first trip there in 1993 to record my debut solo album Grandpaw Would at Idful Studios with Brad Wood. But more than the details of that trip, I was struck by how vividly memories started flooding back tome of being a 15 year old mega fan of music, and in particular, indie rock. I LIVED for the records that I loved and the bands who made them. I’m not sure you are ever a fan of bands the way you can be as a teenager. It’s pretty sacred.
I started re-listening to some of my favorite songs from that period in that hotel room, by the Beat Happening, Pavement, Fugazi, The Breeders, Guided by Voices. It struck me as crazy that these songs and the feelings that accompanied them were now over 25 years old. It started seeming odd to me that for some reason, indie rock hasn’t been canonized the same way ‘60s and ‘70s rock has. After all, Dinosaur Jr were my Led Zeppelin, Sonic Youth were my Grateful Dead and Built to Spill were my Steve Miller Band. These were my classics!
I always travel with my portable studio gear, and I immediately sat down and started learning and recording a collection of my favorite songs. I spent my 4 days of the 2019 Polar Vortex creating the blueprint for what would becomeQuarter Century Classix. When I got home to LA, I invited my friends Julianna Barwick, William Tyler and Mary Lattimore to my home studio to add their magic to my recordings as I knew they grew up in reverence of the same records I did. These three genius musicians became the “band” who you can hear framing these covers and I am eternally grateful for their talent and generosity. Later, Maria Taylor, Mike Watt, Petra Haden and Joey Waronker all showed up to play too.
To some people these songs are just footnotes in pop culture history. But to me, they are the essence my own personal history. I wanted to make this record a tribute to these bands, to these songs, and to the irreversible way music can touch and transform the life of a young person. I hope you enjoy
Quarter Century Classix. - Ben Lee
Vinyl: $28.98 PRE ORDER
In honor of the 50th Anniversary of the Allman Brothers debut album, New West Records is proud to present, Big Band of Brothers: A Jazz Celebration of the Allman Brothers Band. This record is a true collection of big band jazz interpretations of Allman Brothers classics. The record features guest vocals by Marc Broussard and Ruthie Foster. Big Band of Brothers also features Jack Pearson on guitar, who has performed as a guest of the Allman Brothers Band on numerous occasions, and actually joined as a member of the band in 1997. Together with Dickey Betts, he completed the band’s archetypal guitar duo for nearly 3 years. Wycliffe Gordon (of Jazz at Lincoln Center fame) is also featured as a soloist. Gordon is consistently ranked among leading trombone players in the Downbeat critics poll.
uknowhatimsayin¿ marks a buoyant new chapter in Danny's career, a transitional and celebratory moment. His profile has grown since Atrocity and now armed with a cable TV show and a co-sign from one of rap's icons, we will look to solidify his positioning as a ubiquitous entertainer, independent rap hero, and one of the essential cultural voices of this era, while still retaining the edgy, maverick style that makes him a fan-favorite. The album is executive produced by Q-Tip, and features production by Q-Tip, JPEGMAFIA, Flying Lotus, Paul White, Standing on the Corner and more.
Imagine the mind’s farthest wanderings made physical, formed into worlds that represent our internal and external expressions. Mythologically speaking, people have been naming this duality for ages: utopia and dystopia, heaven and earth, Olympus and the underworld. Now imagine this concept distilled in an eleven track, thirty-six minute album, and you arrive at Arcadia, the latest offering by songstress Lily Kershaw. Weaving warmer analog sounds like organ, harpsichord and guitar with cinematic force, Arcadia is Kershaw’s most intimate release to date. But the strongest tool Kershaw wields is her voice, both in the simmering ferocity it carries and the poetry it speaks. Though the concept behind the record is epic to say the least, Kershaw is ultimately telling a story of acceptance, both of herself and the great mystery that is the universe
The original release of the Jackson 5's Greatest Hits LP in 1971 was cause for celebration, as it encapsulated an extraordinary 18-month strings of back-to-back-to-back-back-etc. hits and was itself a hit souvenir of Jacksonmania. It featured eight smash records, led by the group s phenomenal Motown debut, 'I Want You Back,' plus two immensely popular B-sides 'I Found That Girl' and 'Who's Lovin' You' and something new: 'Sugar Daddy,' a just-dropped single which went top 10 pop and no. 3 R&B; it was then not available on any other J5 LP. This LP reissue is something new again: it features the rare quadrophonic mixes, originally released in Japan only in 1975. These mixes used alternate vocals and sometimes emphasized instrumentation not heard in the J5 singles or LP and as a result these versions are much sought-after. As within this edition these mixes are the stereo folds, consumers do *not need a special decoder or four speakers to enjoy the music.
The Gathering Dawn is the debut solo album from Hollie Kenniff. The album, which is her first ambient proclamation, displays a sprawling looseness in sharp contrast to her works as one half of Mint Julep with husband Keith Kenniff (Helios, Goldmund). The Gathering Dawn wistfully utilizes glacial synths, blurred out guitars and Hollie's melancholic vocal plumes as a basis. The album finds Hollie effortlessly folding classic ambient motifs in with a minimal modernist brushstrokes.
Maryland-based singer/songwriter and multi-instrumentalist Michael Nau is back with a fourth “solo” album, on the heels of his 2018 release, Michael Nau & The Mighty Thread. Nau, who previously fronted projects like Page France and Cotton Jones, is known for his unique blend of psychedelic folk, R&B, and indie rock music. On his latest effort, Less Ready To Go, Nau enlisted Scott McMicken (Dr. Dog) as a producer, along with collaborators Whitney McGraw, Andrew Dost (fun.), Zach Miller (Dr. Dog), Benny Yurco, and Seth Kauffman.
FITTED is a new project from Wire members Graham Lewis and Matthew Simms, with Mike Watt (Minutemen, Stooges, fIREHOSE) and drummer Bob Lee (Fearless Leader, The Freeks). The group first convened after just one practice to perform at Wire’s DRILL festival in 2017 at The Echo in Los Angeles. On their debut album, First Fits, the freewheelin' pysch-pop powerhouse plows through six numbers over the course of 38 minutes, with Lewis and Watt trading lead vocal duties. The album will be available on LP, CD, and digital formats beginning November 8th.
The vinyl release features a deluxe package with a gatefold jacket and lyric insert.
Over their career, Cold War Kids have fielded music’s seismic shifts while simultaneously sticking to their own game plan. Over the course of a dozen releases – including seven studio albums, multiple EPs, and a live album on majors and indies alike, non-stop tours and the festival circuit’s biggest stages, massive radio, sales & streaming successes, the band have become a major part of the modern landscape. Their new album New Age Norms 1, with lead single “Complainer” is the next chapter with the approach of taking apart the idea of what the band is and just trying to take the doors off a bit to see where it can go.
The Hollywood legend, coolest man on the planet and purveyor of fine jazz will release his second album in November on Decca Records. And this time he’s bringing his friends. Jeff has assembled an extraordinary gang of vocalists from all walks of musical life, some of whom are revealing their jazz voices for the very first time. The feel good jazz album of the year, featuring singers Sharon Van Etten, Fiona Apple, Inara George, Jeff Goldblum & Anna Calvi.
This title was recorded live at the historic Village Vanguard in NYC in the Fall of 2018 during Jon Batiste’s residency at the legendary space. It is the follow up to “Anatomy of Angels’, which is part 1 of this 2 part series. The music on this release is original, instrumental music (other than “Soulful” which is a tribute cover to Ray Hargrove) showcasing Batiste’s virtuosic and uplifting talent he uses to command a room, and an iconic one at that.
Japanese Wallpaper is Gab Strum, Melbourne-based dream pop producer, songwriter and artist. Gab blends shimmery synths, downtempo beats, and electronic influences with introspective, coming of age song themes to craft his brand of indie pop. Glow is the debut album from Japanese Wallpaper about navigating the simultaneously beautiful and incredibly awkward phase that is one's late teens, growing up and trying to figure out your place in the world. Produced by Grammy-winning producer Ben H. Allen (Walk the Moon, Animal Collective, Gnarls Barkley, Kaiser Chiefs, Cut Copy, Washed Out, Neon Indian),
Nirvana's classic MTV Unplugged in New York album is getting a 25th anniversary vinyl reissue. Marking the iconic lives set's first pressing as a double LP, the new edition features five rehearsal performances that were previously available on only the DVD release.
Among the rehearsals – which were previously only available as bonus content on the MTV Unplugged in New York – is a different take on the David Bowie cover “The Man Who Sold the World,” a version that finds both Nirvana and the production team finding their footing ahead of the concert. Rehearsal versions of “Polly,” “Pennyroyal Tea,” “Come As You Are” and the Meat Puppets’ “Plateau” are also included on the vinyl’s Side D.
After 30 million albums sold, 13 No. 1 jazz albums in the United States, and a film, television and music career spanning three decades, Harry Connick, Jr. returns with a new sound, new label home and new record, True Love: A Celebration of Cole Porter.
Focused exclusively on the songs of Cole Porter and his Great American Songbook, the sensational recording demonstrates Connick’s multitude of talents as pianist, singer, arranger, orchestrator and conductor, breathing new life into popular tunes including “Just One of Those Things,” “Anything Goes” and “You Do Something To Me.”
'Tombstone Every Mile' was Bill Kirchen's first solo album, but it has been unavailable for many years. Originally released in 1993 it featured him in his Washington DC based trio. Fellow DC area guitar man Danny Gatton was to produce the disc, but by the third day of recording he still hadn't shown up, so Bill ended up self-producing with engineer Ed Eastridge. Bass man Jeff Sarli had already played with artists on the Black Top label out of New Orleans, Robert Ward for one, so Bill pitched it there and they agreed to release it in USA. Kirchen then approached Jake Riviera at Demon, who he knew from making the Moonlighters disc with Nick Lowe, and they released it in Europe. The album reflects what they were doing working the Honky-Tonks in DC and points beyond. Kirchen hadn't been writing much material post-Commander Cody, and was perfectly happy singing Dick Curless, Bob Wills and Buck Owens etc all night. So, he called on song writing friends like Blackie Farrell, Nick Lowe and Austin de Lone, who came through with some ideal material for the album, inspiring Bill to manage a couple of serviceable originals which remain in the repertoire to this day. The 2019 edition is available on CD 12"" vinyl LP and digital formats.
Fastball's new album, The Help Machine, follows on the heels of the bands acclaimed 2017 release Step Into Light. The new set, on the Austin's TX trio's own 33 1/3 label, once again demonstrates the distinctive songwriting, expressive vocals and inventive melodic sensibilities of Miles Zuniga and his bandmate Tony Scalzo. With drummer, Joey Shuffield completing the longstanding lineup, the trio's time tested creative rapport is a potent as ever on such compelling tunes as Scalzo's White Collar, All Gone Fuzzy, and The Girl You Pretend to Be and the Zunga compositions Friend or Foe, Holding The Devil's Hand, and the album's enigmatic title track .
‘What’s Going On Live’ features Marvin Gaye’s legendary concert – the only live performance of his iconic 1971 What’s Going On album in full – recorded in February of 1972 at the Kennedy Center in his Washington, D.C. hometown, & notable as Marvin’s first concert after a 4 year hiatus. After being shelved for decades, the recording was eventually released on CD in 2001 within Motown/UMe’s expanded deluxe edition for the What’s Going On album. Never before issued on vinyl or as a standalone CD, What’s Going On Live is newly mixed for its 2019 release by John Morales at M+M Mix Studios and mastered by Alex Abrash at AA Mastering. Packaging includes rare photos from Gaye’s performance and a new liner notes essay by Marvin Gaye biographer David Ritz.
The science-fiction visionary Octavia Butler once declared that “there is nothing new under the sun, but there are new suns.” The aphorism could apply to any art form where the basic contours are fixed, but the appetite for innovation remains infinite. Enter Clipping, flash fiction genre masters in a hip-hop world firmly rooted in memoir. If first person confessionals historically reign, the mid-city Los Angeles trio of rapper Daveed Diggs and producers William Hutson and Jonathan Snipes have spent the last half-decade terraforming their own patch of soil, replete with conceptual labyrinths and industrial chaos. They have conjured a mutant emanation of the future, built at odd angles atop the hallowed foundation of the past. Their third album for Sub Pop, There Existed an Addiction to Blood, finds them interpreting another rap splinter sect through their singular lens. This is Clipping’s transmutation of horrorcore, a purposefully absurdist sub-genre that flourished in the mid-90s. If some of its most notable pioneers included Brotha Lynch Hung and Gravediggaz, it also encompasses seminal works from the Geto Boys, Bone Thugs-N-Harmony, and the near-entirety of classic Memphis cassette tape rap. The most subversive and experimental rap has often presented itself as an “alternative” to conventional sounds, but Clipping respectfully warp them into new constellations. There Existed an Addiction to Blood absorbs the hyper-violent horror tropes of the Murder Dog era, but re-imagines them in a new light: still darkly-tinted and somber, but in a weirder and more vivid hue. The album contains interludes with hissing recordings of demonic invasions, and guest appearances from Griselda Gang’s Benny the Butcher and Hypnotize Minds horror queen La Chat. Other tracks feature contributions from noise music legends The Rita and Pedestrian Deposit. It all ends with “Piano Burning,” a performance of a piece written by the avant-garde composer Annea Lockwood. Yes, it is the sound of a piano burning. There Existed an Addiction to Blood fits neatly into the broader scope of the band’s career, which has seen them expand from insular experimentalists into globally recognized artists. Since the release of their first album in 2013, Diggs has won a Tony and a Grammy (both for his acting/rapping work as Thomas Jefferson and Marquis de Lafayette in Hamilton), as well as co-written and starred in 2018’s critically hailed Blindspotting, while Snipes and Hutson have scored numerous films and television shows. Clipping’s last album, the 2016 afro-futurist dystopian space opus Splendor & Misery was recently named one of Pitchfork’s Best Industrial Albums of All-Time. Commissioned for an episode of This American Life, their 2017 single “The Deep” became the inspiration for a novel of the same name, written by Rivers Solomon and published by Saga Press. But their latest masterwork embodies what the band had been building towards — a work that finds them without peer. This is experimental hip-hop built to bang in a post-apocalyptic club bursting with radiation. It’s horrorcore that soaks up past blood and replants it into a different organism, undead but dangerously alive. It is a new sun, blindingly bright and built to burn your retinas.
THE ORDER OF NATURE presents a hypnotic meeting of the classical and folk-rock worlds with both classic and brand-new material by Jim James (lead singer of critically/commercially successful My Morning Jacket) and fused with Teddy Abrams’ inspired orchestrations with the Louisville Orchestra.
Fieh (pronounced “fee-ah”) is a band created by Sofie Tollefsbøl, a singer from Eina in Norway, a small village with under a 1000 inhabitants located deep in the Norwegian forest. Sofie draws inspiration from different hip hop and soul artists such as Outkast, D’Angelo and Erykah Badu. The band’s music has evolved a lot since Sofie started releasing her Garageband-produced demos from 3 years ago, and since she attended the Norwegian Academy of Music her solo project has grown into a large band, with elements such as multiple backup singers, a drummer, a bass- and guitarist, a trumpeter and a keyboardist, all of them fellow students at the jazz course at the same school.