The songs on the first album are the children. The songs on the second album are their parents. Ghosteen is a migrating spirit. The album was recorded in 2018 and early 2019 at Woodshed in Malibu, Nightbird in Los Angeles, Retreat in Brighton and Candybomber in Berlin. It was mixed by Nick Cave, Warren Ellis, Lance Powell and Andrew Dominik at Conway in Los Angeles.
The follow up to FKA twigs’ critically acclaimed Brit Award and Mercury Prize nominated debut LP1 (2014, Young Turks). Widely regarded as one of the best albums of 2014 and selling over 340,000 records globally. Top-40 rapper Future appears on the album’s second single “Holy Terrain”, continuing a run of rap collaborations including an appearance on A$AP Rocky’s ‘Testing’ LP. Twigs will tour the US in November with a theatrical performance that debuted in May to universal acclaim as well as several major festivals (Afropunk Brooklyn and Atlanta, Flog Gnaw) Press campaign includes September i-D cover, multi-page feature in Vogue October issue, television appearances and more. Twigs is a cultural figure outside of the music realm as well: appearing in the feature film “Honey Boy” out 11/8/19, being named a creative director for Nike, and starring in a viral Spike Jonze-directed Apple ad
Allen Stone’s “Building Balance” is his first new album in 4 years, spanning a time period spent figuring out how the old parts and the new parts of his universe were going to co-exist. For Building Balance he worked with Grammywinning producer Nasri as well as Jamie Lidell. Stone continues to draw inspiration from '70s funk and soul with current flexes, sitting amid D'Angelo in its sultrier moments, Stevie Wonder at its most melodic and the production of Mark Ronson at its most modern.
Recorded in here-and-there studio spurts over the last two years, ‘2019 ‘will be released November 8th, and will be made up of originals and cover songs tied to specific holidays, each of which will drop around their respective date: Valentine’s Day, Mother’s Day (and Taurus season!), Independence Day, Springsteen’s Birthday (not an official holiday, though we’re told Chris Christie often took that day off ), Halloween, Christmas, and New Year’s. Dacus uses her gift as a songwriter to help understand and cope with the world around her, including making sense of national holidays, often more geared towards social media boasts and manufactured consumerism than authentic celebration. “What is going on,” she asks herself on these days, retreating from the heightened expectations of holidays to figure out what to make of them and to find her own meaning. “I’ve collected some songs from try- ing to answer that question,” she says, and “this EP seems like the right place to put them next to each other. These songs are self-contained, not indicative of a new direction, just a willing- ness to do something different and sometimes even out of character.” “Emotionally raw and intimate... (Lucy Dacus has) A big, unadulterated voice and tattooable lyrics.” -The New York Times “Lucy Dacus’ voice has a snuggly allure, its tone warm, deep, and decadent” - Pitchfork “She never sounds less than supremely confident on lyrics that make the personal political, and vice versa, ac- companied by musical arrangements that are sometimes downright majestic.” - Paste Magazine
Multi-platinum artist Trippie Redd defies conventions with lovelorn melodies and bulletproof rapping. Since emerging two years ago, Trippie has racked up platinum singles and 5 billion streams. His second official album ! is set to release on 8/09 (11/08 on Vinyl) featuring singles “Mac 10 (feat. Lil Baby and Lil Duke)” and “Under Enemy Arms” which alone drew over 32 million streams. The Source claimed, “[Under Enemy Arms] itself is a turn-up”. Features on ! also include Playboi Carti, The Game and Coi Leray.
FITTED is a new project from Wire members Graham Lewis and Matthew Simms, with Mike Watt (Minutemen, Stooges, fIREHOSE) and drummer Bob Lee (Fearless Leader, The Freeks). The group first convened after just one practice to perform at Wire’s DRILL festival in 2017 at The Echo in Los Angeles. On their debut album, First Fits, the freewheelin' pysch-pop powerhouse plows through six numbers over the course of 38 minutes, with Lewis and Watt trading lead vocal duties. The album will be available on LP, CD, and digital formats beginning November 8th.
The vinyl release features a deluxe package with a gatefold jacket and lyric insert.
Three unique LPs specifically timed to be released throughout the first season of HBO’s Watchmen. Created in collaboration with the show’s writers, each LP features the score from Academy Award winners Trent Reznor and Atticus Ross as well as artwork and packaging exclusive to this vinyl release that explores the culture of Watchmen America and provides revealing insights into the saga's mythology and mysteries.
Bridges To Buenos Aires is the latest concert release from The Rolling Stones' archive. The full-length show from their five night sell-out residency at the River Plate Stadium in Argentina's capital city has been restored in full and features a very special guest appearance from Bob Dylan on Like A Rolling Stone. Filmed on April 5th 1998, by this point, the band had played to over two million people on the first two legs of the tour in North America and Japan. On Limited Color 3LP set.
In a world chock full of flame-outs, coulda-been contenders and great white hopes, the band Jonathan Fire*Eater are among the 'almost-est.' Widely praised as the mid-Nineties next-big-thing, they are largely credited with being the earliest purveyors of the 'New York City Rock and Roll Revival' circa 2001. Which would be great, if only the band hadn't imploded by 1998.The quintet employed a fresh, one-of-a-kind blend of sly rock and roll reference and reverence. Their press release at the time name-dropped all the correct and relevant influences... The Stooges, the Modern Lovers, Tom Waits, the Scientists, ? and the Mysterians, the Cramps, Nation of Ulysses, the Stones, Nick Cave and the Bad Seeds... all markers conveying the point that Fire-Eater's dark, brooding overtones are complemented by springy Farfisa tones and impressionistic, evocative lyrics.The band was inarguably in top form with the 1996 EP release of Tremble Under Boom Lights. Mean and lean at only five tracks, those songs click together perfectly, enough so to kick-start a major label bidding frenzy which found the band signing a lucrative, seven-figure contract. Showcasing lead singer Stewart Lupton's redolent exercises in picturesque poetry, coupled with Matt Barrick's inimitable percussive attack, Paul Maroon's wide, unadorned guitar blistering throughout while Walter Martin's choice, deliberate organ accompaniment and Tom Frank's propulsive, bottom-heavy bass all join together for a full, beautiful, glorious masterpiece.Lead-off track 'The Search For Cherry Red' would not only provide the EP with a title via it's lyrics, but would also see a second life as covered by esteemed rock-and-rollers The Kills. 'Give Me Daughters' is enviable for the perspective it foresees, when taking into consideration it's narrator was barely 21 years old at the time. Songs flit about cockfights, open caskets, ballroom gowns, switchblades, motorcycle accidents and jewel thieves all to propel the record into a world of juvenile delinquent attitude and vivid cinematic color.For the Japanese release of Tremble Under Boom Lights, the five-song running order was accentuated with four bonus tracks... three songs from the band's 1995 debut single and a spritely cover of the Lee Hazelwood gem 'The City Never Sleeps.'With the 2019 reissue, Third Man Records is proud to make these seminal songs available digitally and on vinyl for the first time in over two decades. All parties involved are beyond overjoyed to augment the running order of the Japanese version of Tremble Under Boom Lights to include the bonus track 'In the Head.' Touted by the band members as the last song they ever recorded, it is wincingly brilliant, the most artful, dudes-in-their-early-twenties version of a swan song that one may ever hear.
Post Malone bends genres to create his own sonic sound that’s intoxicating. 2019 has been packed with one milestone after another for the Dallas native. “Congratulations” has been certified Diamond by the RIAA. Beerbongs & Bentleys emerges on the Mid-Year Top 10 Albums and he has two entries on the Mid-Year Top 10 Selling Digital Songs, namely “Sunflower (Spider-Man: Into the Spider-Verse)” w/ Swae Lee at #3 & “wow.” at #6, the later of which will be released as a 7” single LP on 11/8.
Get The Money, is the new album from Taylor Hawkins & the Coattail Riders. The band is comprised of Taylor Hawkins, renowned drummer of the Foo Fighters, Chris Chaney who was the bassist from Janes Addiction, and LA studio guitarist and notable producer Brent Woods. The album will launch with the first single and video ""Crossed the Line."" Get The Money is a 10 track album, and features a number of guest stars including Dave Grohl, Chrissie Hynde, Perry Farrell, Joe Walsh, Roger Taylor, Duff McKagan, Perry Farrell, Nancy Wilson, and LeAnn Rimes.
Promising to be one of the most ambitious projects in metal history, BLIND GUARDIAN’s upcoming release will be well worth the wait. The idea of recording an orchestral album originally formed in the minds of the two leading lights of the BLIND GUARDIAN universe - guitarist André Olbrich and singer Hansi Kürsch - during the 1990s when BLIND GUARDIAN started to use orchestral elements to enhance their opulent sound. Today, they reveal the album's amazing cover artwork, which was created by the renowned artist Gyula Havancsák.
Hip-hop influenced electronic innovators Hermitude have worked tirelessly to carve out a special nook in the music scene. The duo’s album Pollyanarchy is a reflection on finding clarity in the chaos. The eleven-track album brags an assemblage of features including Buddy, BJ The Chicago Kid, Vic Mensa, Bibi Bourelly, Soaky Sirens, Vory, Wes Period, Hoodlem and more. The multi-instrumentalist duo, Luke Dubber (aka Luke Dubs) and Angus Stuart (aka El Gusto), have collaborated since they were 16 and 11, respectively. Their last album Dark Night Sweet Light reached #1 on the CMJ RPM chart and at home, the album debuted at #1 on the ARIA album chart and was nominated for 7 ARIA awards including Album of the Year, Best Group, Best Live Act and more. Available as Limited Edition "Transparent Berry" coloured vinyl.
Bridges To Buenos Aires is the latest concert film release from The Rolling Stones' archive. The full-length show from their five night sell-out residency at the River Plate Stadium in Argentina's capital city has been restored in full and features a very special guest appearance from Bob Dylan on Like A Rolling Stone. Filmed on April 5th 1998, by this point, the band had played to over two million people on the first two legs of the tour in North America and Japan. BLU-RAY+2CD EDITION
Revenge, murder, bloodshed, and retribution, the Slayer Repentless Killogy is a perfectly packaged story reflecting these values that most look down upon. This is the story of Wyatt who used to run with the wrong crowd. Wyatt is a former Neo Nazi associated with a gang known as “The Hand Brotherhood” whose signature mark is a bloody handprint left after a murder had taken place. Wyatt left his gang after he fell in love with Gina, a woman who saved his life after a brush with death from those who wanted revenge on him and his gang. Wyatt and Gina go into hiding to start a family and escape his tarnished past. The Hand Brotherhood are not going to let this happen.
The Repentless Killogy Short Film is the combination of music videos from Slayer’s last full- length release “Repentless”, threaded through a film narrative that ends with Slayer performing a sold-out show at Los Angeles’ iconic Forum. The 2-cd & vinyl formats “The Repentless Killogy (Live at The Forum in Inglewood, CA)” contain the entirety of the concert, consisting of 21 tracks
Just how bad can one day get? The creative minds behind Superbad and Sausage Party take on sixth grade hard in this innocent yet raunchy comedy. Max, Thor, and Lucas skip school and set off on an odyssey of epically bad decisions involving stolen drugs, a frat house, and running from both the cops and girls!
The epic music-filled adventure for Steven and his friends will overflow with more songs and music than ever before. In his first television movie, Steven thinks his time defending the Earth is over, but when an unforeseen threat comes to Beach City, Steven faces his biggest challenge yet.
In The Angry Birds 2, the flightless angry birds and the scheming green piggies take their beef to the next level when a new threat emerges that puts both Bird and Pig Island in danger. Red (Jason Sudeikis), Chuck (Josh Gad), Bomb (Danny McBride), and Mighty Eagle (Peter Dinklage) recruit Chuck’s sister Silver (Rachel Bloom) and team up with several pigs - Leonard (Bill Hader), his assistant Courtney (Awkwafina), and techpig Garry (Sterling K. Brown) - to forge an unsteady truce and form an unlikely super-team to save their homes.
Dwayne Johnson and Jason Statham return to their unforgettable roles as Hobbs and Shaw in this action-packed feature from the blockbuster Fast & Furious franchise! For years, hulking lawman Luke Hobbs (Johnson) and lawless outcast Deckard Shaw (Statham) have traded smack talk and body blows. But when cyber-genetically enhanced anarchist Brixton (Idris Elba) gains control of an insidious bio-threat that could alter humanity forever, Hobbs and Shaw must partner up to bring down the only guy who might be badder than themselves!
Luce is a smart psychological thriller that will leave audiences breathless. An all-star high school athlete and accomplished debater, Luce (Kelvin Harrison Jr.) is a poster boy for the new American Dream - as are his parents (Naomi Watts and Tim Roth), who adopted him from a war-torn country a decade earlier. When Luce's teacher (Octavia Spencer) makes a shocking discovery in his locker, Luce's stellar reputation is called into question. But is he really at fault, or is Ms. Wilson preying on dangerous stereotypes? Stacked with amazing performances, and adapted from JC Lee's acclaimed play, director Julius Onah has created an intense, multi-layered and deeply entertaining look at identity in today's America.
MIKE WALLACE IS HERE offers an unflinching look at the legendary reporter, who interrogated the 20th century's biggest figures in his over fifty years on air, and his aggressive reporting style and showmanship that redefined what America came to expect from broadcasters. Decades never-before-seen footage and interviews form the 60 Minutes vault.
"Colorado" is the first new Neil Young with Crazy Horse album since 2012's "Psychedelic Pill". The album will be released on October 25th and features 10 new Neil Young compositions. It includes several songs that Neil has been playing live in the past few months (eg: "Rainbow of Colors", "Green Is Blue" and "Milky Way"), and the epic 13+ minute track "She Showed Me Love".
The vinyl version of the album comes with a bonus 7" single, featuring an album outtake "Truth Kills". The 7” also includes a live, solo version of "Rainbow of Colors" from Portland, OR, on May 17, 2019 - the first time Neil ever performed this song live.
This incarnation of Crazy Horse is Neil Young on vocals, guitar, piano, harmonica and vibes, Billy Talbot on bass, Ralph Molina on drums and features the return of Nils Lofgren on guitar and piano, almost 50 years since he last appeared on a Crazy Horse album (1971).
The album is produced by Neil Young and John Hanlon and was recorded in Colorado in April & May 2019.
After 30 million albums sold, 13 No. 1 jazz albums in the United States, and a film, television and music career spanning three decades, Harry Connick, Jr. returns with a new sound, new label home and new record, True Love: A Celebration of Cole Porter.
Focused exclusively on the songs of Cole Porter and his Great American Songbook, the sensational recording demonstrates Connick’s multitude of talents as pianist, singer, arranger, orchestrator and conductor, breathing new life into popular tunes including “Just One of Those Things,” “Anything Goes” and “You Do Something To Me.”
‘Western Stars – Songs From The Film’ is the companion album to the Warner Bros. feature film, ‘Western Stars.’ The collectionfeatures each of the live performances captured in Bruce Springsteen’s directorial debut ‘Western Stars.’ The soundtrack includes every song from Springsteen’s most recent and critically-acclaimed studio album of the same name, as well as a cover of Glen Campbell’s “Rhinestone Cowboy.” Pulling the audio from the film co-directed by Bruce Springsteen and longtime collaborator Thom Zimny, ‘Western Stars – Songs From The Film’ is backed by a full band and orchestra, recorded live at Stone Hill Farm in Colts Neck, NJ.
On the heels of release of his new song "10/10," Rex Orange County has announced details for his new album Pony. This highly-anticipated album is the follow up to 2017's Apricot Princess. The album was written, recorded, and performed almost entirely by Rex himself at Strongroom Studios in East London with frequent collaborator Ben Baptie co-producing, engineering and mixing the album. Rolling Stone has hailed the single "10/10" as "triumphant" and a "song you need to know," and the track was described by NPR as "a sincere, sad-boy gem." The album follows standout performances at a handful of major festivals this year, including UK's Glastonbury (where he first debuted "10/10"), Paris' We Love Green, Berlin's Lollapalooza, and Australia's Laneway Festival. Rex Orange County, born Alexander O Connor, is a 21 year old English recording artist and songwriter. To date, he has independently amassed over 1 billion streams, and self-released two albums - bcos u will never b free (2016) and Apricot Princess (2017). He was also featured on Tyler The Creator's 2017 album, "Flower Boy". His singles "Best Friend", "Loving Is Easy", and "Sunflower" are well over 125 million streams each, with "Loving Is Easy" now being RIAA certified Gold in the US and Australia. His 2018 highlights include his television debut on Jimmy Fallon (performing "Loving Is Easy"), and extensive touring including an epic performance at Glastonbury, where he closed out the Park Stage with his Sunday headline slot.
In 1997, Josh Homme (Queens of the Stone Age) and a handful of friends retreated to the desert of Joshua Tree, CA in order to isolate themselves from the distractions and comforts of their everyday lives. What began as a casual writing and recording session amongst friends has since become a project of legend. Spanning twelve volumes over the course of two decades, Desert Sessions has featured some of music’s most cherished icons stepping out of their comfort zones and collaborating with one another to create some of the most exciting music of their careers.
After nearly sixteen years since its last entry, the longest-running mix tape in existence, Desert Sessions will return this October with two stunning new volumes in its already storied catalog, Vols. 11 & 12, featuring collaborations from Billy Gibbons (ZZ Top), Les Claypool (Primus), Stella Mozgawa (Warpaint), Jake Shears (Scissor Sisters), Mike Kerr (Royal Blood), Carla Azar (Autolux, Jack White), Matt Sweeney (Chavez), David Catching (Co-founder of Rancho De La Luna studio), comedian Matt Berry (What We Do in the Shadows), Töôrnst Hülpft and new comer Libby Grace.
Limited Edition Vinyl packaging includes a one of a kind custom mix & match, body swap booklet!
'Tombstone Every Mile' was Bill Kirchen's first solo album, but it has been unavailable for many years. Originally released in 1993 it featured him in his Washington DC based trio. Fellow DC area guitar man Danny Gatton was to produce the disc, but by the third day of recording he still hadn't shown up, so Bill ended up self-producing with engineer Ed Eastridge. Bass man Jeff Sarli had already played with artists on the Black Top label out of New Orleans, Robert Ward for one, so Bill pitched it there and they agreed to release it in USA. Kirchen then approached Jake Riviera at Demon, who he knew from making the Moonlighters disc with Nick Lowe, and they released it in Europe. The album reflects what they were doing working the Honky-Tonks in DC and points beyond. Kirchen hadn't been writing much material post-Commander Cody, and was perfectly happy singing Dick Curless, Bob Wills and Buck Owens etc all night. So, he called on song writing friends like Blackie Farrell, Nick Lowe and Austin de Lone, who came through with some ideal material for the album, inspiring Bill to manage a couple of serviceable originals which remain in the repertoire to this day. The 2019 edition is available on CD 12"" vinyl LP and digital formats.
Over the course of her acclaimed career, Grace Potter has carved out a flourishing yet unconventional place among the best songwriters and singers in rock and roll. The Waitsfield, Vermont native has released six albums, guested with everyone from Kenny Chesney to The Rolling Stones, created her own music festival (Burlington's Grand Point North) and become one of the most admired live performers in contemporary music.
Now, after a four-year hiatus, Grace returns with Daylight, her second solo LP (seventh overall) and first for Fantasy Records.
2 Black LPs, 150 Gram, Double Gatefold Jacket, Printed Insert, 11”X 17” of Hollywood Map Poster folded
Personally curated by Quentin Tarantino himself, the Once Upon a Time in Hollywood Original Motion Picture Soundtrack is a love letter to the music of 1960s-era Hollywood. Featuring over 20 standout tracks from artists such as Paul Revere & The Raiders, Deep Purple and Neil Diamond, the album creates a true time capsule of a golden era of filmmaking.
Multi-GRAMMY nominated and multi-platinum British singer/songwriter James Blunt will release his sixth studio album Once Upon A Mind on October 25th featuring the new single “Cold”. After flirting with electronica on his last album, Blunt returns to what he does best on Once Upon A Mind – writing classic songs that touch both the heart and the head. Once Upon A Mind sees Blunt collaborating with a variety of producers resulting in a freshness that resonates throughout the eleven-song collection, with highlights including the poignant ballad “Monsters,” pop-infused “5 Miles” and the country tinged “Halfway.”
“I think this is the most honest album I have ever made” saidBlunt. “’Back To Bedlam’ was similar in that I had been writing those songs for a while about my life experiences at that time, and they came together on my debut. And every song on this album represents something that I’m currently going through or have recently experienced. It’s a very personal record, and I’m proud I can share it.”
October 1, 1969, in Augusta, GA, was a homecoming for James Brown. His and his band's smoking performance at the city's Bell Auditorium was captured on tape, with an intention to make an album of the show the cornerstone of a move back to his roots. Live at Home With His Bad Self was scheduled as a lucrative holiday release. But JB and that band broke up. Soul Brother No. 1 called in a new, young band, featuring Bootsy Collins, and within a few weeks they recorded the funk anthem 'Sex Machine.' With the single flying up the charts and no album to promote along with it, JB scrapped the planned Live at Home album. He instead doubled down on a Sex Machine album, a part-live 2LP set that included a portion of the Augusta show. Now, finally, as James Brown intended: the full show with his celebrated '60s band. Live at Home With His Bad Self arrives on its 50th anniversary newly mixed with seven unreleased performances that even include two actual live instrumentals, 'Lowdown Popcorn' and 'Spinning Wheel,' that were on the original LP in studio recordings with fake applause. The package includes an essay by former James Brown tour manager and publicist Alan Leeds, a Grammy-winner who is also the co-producer of the album.
Guided by Voices is now an unlikely candidate for the most perfect rock band of all time, while at the same time being a thoughtful reflection on what a rock band is, a fantasy that becomes a fact. Sweating The Plague, the band's 29th album and their third this year, spars playfully with stadium-sized fidelity and uncharacteristically impactful arrangements. Producer Travis Harrison's counterintuitive approach to Guided by Voices' historically lo-fi sound is that he doesn't want it to sound homemade, while the grinding tectonic plate guitars of Doug Gillard and Bobby Bare Jr. Anchor the album. Play it loud! Being a fan of Guided by Voices can feel like standing in a ticker-tape parade and reaching out to grab at stray releases as the endless flurry of output from the Needmore Songs publishing house billows around-but here's twelve compatible nuggets of Pollard content in one handy package, all boxed up and ready to go.
Formed in 2003, Editors became one of the leading bands in the post-punk revival that swept England and America in the early 2000's. Following their 2005 debut, The Back Room, they went on to top the U.K. charts, releasing five more studio albums, including 2018's Violence. Black Gold - Best of Editors culls favorites from across their entire catalog and includes three all new songs: ''Frankenstein'', ''Black Gold'' and ''Upside Down.''This collection is a must-have for fans and the perfect introduction for new listeners.
For The Shivas, the show has always been the thing. That thing being a bombastic, explosive and thoroughly communal live rock and roll experience where barriers between the performers and their audience seem to dissolve into the sweat and sound. It’s the stage—or the basement, or the living room—that’s the Portland band’s true element. It’s their raison d’etre. It’s their religion.. The album is a defining sonic achievement for the band, which began booking their own tours in high school. The group blasted their way through Portland’s storied and unsanctioned mid-aughts house show scene. Since then they have played over 1,000 shows spread over 25 countries, meeting new fans and friends from Belgrade to Mexico City. But The Shivas—guitarist/singer Jared Molyneux, bassist Eric Shanafelt and drummer/singer Kristin Leonard have all been with the band since its earliest days; guitarist Jeff Boyardee joined in 2017—still speak about their project with a DIY humility that sounds like their native Pacific Northwest. They talk up their own favorite bands, play all-ages shows whenever possible, and they bring a sort of blue-collar humanism to the live performances they relish so much. “We just want to make people feel good,” guitarist/ singer Jared Molyneux says. “We want them to forget they have to work tomorrow.” Dark Thoughts is the sound of a tight-knit band whose members have learned not just how to trust each other, but how to grow together. “Being adults now,” Leonard says. “We’re starting to talk a lot more philosophically about why we do what we do. Some of my favorite music came from people needing to find a space. Music is just such a visceral place to find a release.” That’s what The Shivas are here for: to help people get free, if even just for an hour. If they drop a few great albums along the way, so be it.
Written and produced by Michael Gira, Leaving Meaning is Swans fifteenth studio album and features contributions from recent and former Swans, members of Angels of Light as well as guest artists Anna and Maria von Hausswolff, Ben Frost, The Necks, Baby Dee, and a Hawk and a Hacksaw.Michael Gira explains, "Leaving Meaning is the first Swans album to be released since I dissolved the lineup of musicians that constituted Swans from 2010 - 2017. Swans is now comprised of a revolving cast of musicians, selected for both their musical and personal character, chosen according to what I intuit best suits the atmosphere in which I'd like to see the songs I've written presented. In collaboration with me, the musicians, through their personality, skill and taste, contribute greatly to the arrangement of the material. They're all people whose work I admire and whose company I personally enjoy.
2 Blu-Ray Standard Edition. In 2018 The Cure performed two historic shows celebrating a 40-year career. ANNIVERSARY: 1978-2018 Live In Hyde Park London - a 29-song, 135-minute anniversary concert and CUREATION-25: From There To Here, From Here To There - captured on the tenth and final night of the 25th Meltdown Festival (curated by lead singer Robert Smith) at London's Royal Festival performing a song from each of their 13 studio albums in chronological order, displaying the evolution of The Cure's music live on stage.
Directed by Tim Pope the long-time collaborator behind many of The Cure's music videos and their award-winning 1986 film In Orange Anniversary is chronicled in 4K with a 5.1 surround sound mix by Robert Smith and Paul Corkett. Pope states I went to rehearsals in a very cramped studio just the day before the show... I knew as the set list unfolded that the only way to show people The Real Cure was to capture not only the grand, epic dimension of their stage show, but also the close, intimate side of this band simply making music together.
Disney's THE LION KING, directed by Jon Favreau, journeys to the African savanna, where a future king overcomes betrayal and tragedy to assume his rightful place on Pride Rock. Through pioneering filmmaking techniques, THE LION KING brings treasured characters to life in a whole new way.
A revealing and deeply personal documentary exploring the life and creative renaissance of music icon David Crosby. A cultural force for over fifty years, Crosby faced an uncertain future after the 2015 dissolution of Crosby, Stills and Nash. Racked with health issues and personal obstacles, Crosby forged a new path at the age of 77. Seeking out younger musicians and recording a pair of critically-praised new albums, Crosby now sets out to make a mark in a world now so different from the generation he came to define in the 60's. With unflinching honesty, self-examination, regret, fear, exuberance and an unshakable belief in family and the transformative nature of music, Crosby shares his often-challenging journey with humor and bite. This inspirational story, filled with music, will speak to loyal fans, and legions of new ones.
Surviving is the new album from American rock band Jimmy Eat World. This new set marks the groups 10th studio album, and will be released on their 25th Anniversary as a band!
Ahead of the album release, Jimmy Eat World will release two singles and videos – a reworked version of fan favorite “Love Never” plus a new track “All the Way (Stay).”
THE ORDER OF NATURE presents a hypnotic meeting of the classical and folk-rock worlds with both classic and brand-new material by Jim James (lead singer of critically/commercially successful My Morning Jacket) and fused with Teddy Abrams’ inspired orchestrations with the Louisville Orchestra.
The science-fiction visionary Octavia Butler once declared that “there is nothing new under the sun, but there are new suns.” The aphorism could apply to any art form where the basic contours are fixed, but the appetite for innovation remains infinite. Enter Clipping, flash fiction genre masters in a hip-hop world firmly rooted in memoir. If first person confessionals historically reign, the mid-city Los Angeles trio of rapper Daveed Diggs and producers William Hutson and Jonathan Snipes have spent the last half-decade terraforming their own patch of soil, replete with conceptual labyrinths and industrial chaos. They have conjured a mutant emanation of the future, built at odd angles atop the hallowed foundation of the past. Their third album for Sub Pop, There Existed an Addiction to Blood, finds them interpreting another rap splinter sect through their singular lens. This is Clipping’s transmutation of horrorcore, a purposefully absurdist sub-genre that flourished in the mid-90s. If some of its most notable pioneers included Brotha Lynch Hung and Gravediggaz, it also encompasses seminal works from the Geto Boys, Bone Thugs-N-Harmony, and the near-entirety of classic Memphis cassette tape rap. The most subversive and experimental rap has often presented itself as an “alternative” to conventional sounds, but Clipping respectfully warp them into new constellations. There Existed an Addiction to Blood absorbs the hyper-violent horror tropes of the Murder Dog era, but re-imagines them in a new light: still darkly-tinted and somber, but in a weirder and more vivid hue. The album contains interludes with hissing recordings of demonic invasions, and guest appearances from Griselda Gang’s Benny the Butcher and Hypnotize Minds horror queen La Chat. Other tracks feature contributions from noise music legends The Rita and Pedestrian Deposit. It all ends with “Piano Burning,” a performance of a piece written by the avant-garde composer Annea Lockwood. Yes, it is the sound of a piano burning. There Existed an Addiction to Blood fits neatly into the broader scope of the band’s career, which has seen them expand from insular experimentalists into globally recognized artists. Since the release of their first album in 2013, Diggs has won a Tony and a Grammy (both for his acting/rapping work as Thomas Jefferson and Marquis de Lafayette in Hamilton), as well as co-written and starred in 2018’s critically hailed Blindspotting, while Snipes and Hutson have scored numerous films and television shows. Clipping’s last album, the 2016 afro-futurist dystopian space opus Splendor & Misery was recently named one of Pitchfork’s Best Industrial Albums of All-Time. Commissioned for an episode of This American Life, their 2017 single “The Deep” became the inspiration for a novel of the same name, written by Rivers Solomon and published by Saga Press. But their latest masterwork embodies what the band had been building towards — a work that finds them without peer. This is experimental hip-hop built to bang in a post-apocalyptic club bursting with radiation. It’s horrorcore that soaks up past blood and replants it into a different organism, undead but dangerously alive. It is a new sun, blindingly bright and built to burn your retinas.
‘What’s Going On Live’ features Marvin Gaye’s legendary concert – the only live performance of his iconic 1971 What’s Going On album in full – recorded in February of 1972 at the Kennedy Center in his Washington, D.C. hometown, & notable as Marvin’s first concert after a 4 year hiatus. After being shelved for decades, the recording was eventually released on CD in 2001 within Motown/UMe’s expanded deluxe edition for the What’s Going On album. Never before issued on vinyl or as a standalone CD, What’s Going On Live is newly mixed for its 2019 release by John Morales at M+M Mix Studios and mastered by Alex Abrash at AA Mastering. Packaging includes rare photos from Gaye’s performance and a new liner notes essay by Marvin Gaye biographer David Ritz.
Part 2, like Part 1, was produced by Foals themselves: Yannis Philippakis (vocals/guitar), JimmySmith (guitar), JackBevan (drums) and EdwinCongreave (keys), with Philippakis and Congreave contributing bass too. The album simmers with the pure visceral intensity which has long been emblematic of the band— “The Runner” and “Black Bull” are streamlined attacks, and this approach also informs“10,000 Feet”— while retaining the opening chapter’s eclectic nature. “Wash Off” marries manic world music-tinged grooves with a punk-like intensity and the cinematic instrumentals “Red Desert” and “Ikaria” underline that Everything Not Saved Will Be Lost is a journey rather than a mere collection of songs.
Fastball's new album, The Help Machine, follows on the heels of the bands acclaimed 2017 release Step Into Light. The new set, on the Austin's TX trio's own 33 1/3 label, once again demonstrates the distinctive songwriting, expressive vocals and inventive melodic sensibilities of Miles Zuniga and his bandmate Tony Scalzo. With drummer, Joey Shuffield completing the longstanding lineup, the trio's time tested creative rapport is a potent as ever on such compelling tunes as Scalzo's White Collar,All Gone Fuzzy and The Girl You Pretend to Be and the Zunga compositions Friend or Foe, Holding The Devil's Hand, and the album's enigmatic title track .
California-based, psychedelic rock band CirclesAroundTheSun and revered drummer Joe Russo have come together for a four song EP simply entitled, 'CirclesAroundTheSun Meets Joe Russo.' The electrifying collection stems from a completely improvised recording session at Russo's Brooklyn studio in Winter 2019. The results of the secret collaboration were mixed by legendary recording engineer Jim Scott whose Grammy Award-winning work includes albums by Tom Petty and Tedeschi Trucks Band and CirclesAroundTheSun's bassist Dan Horne who has an impressive production/mixing discography in his own right with artists such as Cass McCombs, Allah-Las and Mapache. CirclesAroundTheSun (often shortened to CATS by the band's fans) also features guitarist Neal Casal, keyboardist Adam MacDougall and drummer Mark Levy. The band was initially formed solely to record set break music for The Grateful Dead's "Fare Thee Well" concerts in 2015, but due to popular demand have quickly grown into something bigger than ever imagined, having released two full-length studio albums and touring nationally. It's fitting that they've joined forces with Russo who served as the drummer in Furthur, an ensemble led by original Grateful Dead members, Phil Lesh and Bob Weir. He now also leads the widely popular Dead revival band, Joe Russo's Almost Dead, who sell out shows coast to coast and have appeared at festivals including Bonnaroo, LOCKN and Mountain Jam. 'CirclesAroundTheSun Meets Joe Russo' captures the purely inspired musical interplay of two giants from the modern improvised rock world in all of its joyous, ecstatic glory.
Australian alternative folk duo Hollow Coves' debut album Moments is a collection of warm, introspective songs that reflect the pair's travels across the globe and their deeply felt experiences along the way.
Fieh (pronounced “fee-ah”) is a band created by Sofie Tollefsbøl, a singer from Eina in Norway, a small village with under a 1000 inhabitants located deep in the Norwegian forest. Sofie draws inspiration from different hip hop and soul artists such as Outkast, D’Angelo and Erykah Badu. The band’s music has evolved a lot since Sofie started releasing her Garageband-produced demos from 3 years ago, and since she attended the Norwegian Academy of Music her solo project has grown into a large band, with elements such as multiple backup singers, a drummer, a bass- and guitarist, a trumpeter and a keyboardist, all of them fellow students at the jazz course at the same school.
Recorded with producer Jay Joyce in Nashville, Tennessee, You Deserve Love marks White Reaper’s Elektra Records debut and follows their celebrated 2017 album, The World’s Best American Band. The album is a collection of smart, sharply-written songs of doubt, dislocation, and elusive and often complicated love. Earlier this summer White Reaper shared You Deserve Love’s lead singles “Real Long Time” and “Might Be Right,” the latter of which has quickly ascended into the Top 30 on Billboard’s ‘Alternative Songs’ chart.
Reflecting on the album title, vocalist / guitarist Tony Esposito explained that the name for the record came from a note on bassist Sam Wilkerson’s phone. “He had written things down he thought might be good album titles, and we were all sitting around at a bar in Nashville after we had just finished recording, vexing about what we were going to call the album.” Wilkerson explained, “I started reading them aloud at the bar, and everyone stopped me at You Deserve Love,” adding, “I think it’s cool, because it’s true for everybody. I think it’s what everybody needs to hear.”
The best musical mavericks never sit still for long. They mutate and morph into new shapes, refusing to be boxed in. Floating Points has so many guises that it’s not easy to pin him down.
Floating Points’ first album in four years, Crush, twists whatever you think you know about him on its head. It’s the producer at his most “unhinged,” he says, a tempestuous blast of electronic experimentalism whose title alludes to the pressure-cooker of the current environment we find ourselves in. It’s the sound of the many sides of Floating Points finally fusing together: the carefree selector, the considered composer and the passionate label curator. But it’s also a sound that, while it’s born out of despair and frustration with the overwhelmingly dark forces around us, manages to provide some hope for compassion. Crush on that.
For over 15 years, Alter Bridge has been a band known for blurring the line between hard rock and heavy metal. Building upon the sound that has won the band worldwide critical acclaim and a devoted global fan base, the band returns with their sixth studio album, Walk The Sky. The fourteen-track opus marks a creative highpoint for the quartet comprised of Myles Kennedy on vocals/guitars, Mark Tremonti on guitars/vocals, Brian Marshall on bass and Scott Phillips on drums. Walk The Sky is a complete career retrospective drawing upon elements from each of the band’s previous releases to create something new from the band. Recorded in a way never done before, the album was born from complete song ideas created by Kennedy and Tremonti. These songs would then be worked on by the entire band to create the fourteen songs that would make Walk The Sky the listening experience it is. This varies from the band’s previous method going back to their sophomore release Blackbird where Kennedy and Tremonti would combine individual ideas and riffs alongside producer Michael “Elvis” Baskette to form some of the band’s most revered songs. From the opening vocal melody on “One Life” to the moving finale of “Dying Light,” Alter Bridge have created a formidable addition to their music catalog. Songs like “Godspeed,” “Native Son” and “Walking On The Sky” are sure to be early additions to the live set. The first single “Wouldn’t You Rather” is quintessential Alter Bridge and “Forever Falling” also marks a lead vocal return from Tremonti with Kennedy taking the chorus as done previously on the Fortress favorite “Waters Rising.” Alter Bridge will be heading out on a worldwide tour beginning in September in the United States before heading over to Europe to close out 2019.
Tony Award–winner Idina Menzel has a career that traverses stage, film, television, and music and in time for the holidays she releases an album of traditional and brand-new songs featuring Ariana Grande, Billy Porter, Josh Gad and her husband, Aaron Lohr. Timed to coincide with the release of Disney’s Frozen 2, which includes Idina’s unforgettable voice in the title role of Elsa, this new album is sure to bring friends and family together throughout the holiday season.
Battles return this autumn with Juice B Crypts on Warp Records to follow their complex, mind-bending predecessors Mirrored, Gloss Drop and La Di Da Di. Their latest album is a sensory overload of information that throws everything you thought you knew about Battles into flux once again. Battles redefined line-up puts Ian Williams (Keys, Electronics) and John Stanier (Drums) at the core of the covertly named Juice B Crypts, which was produced and mixed by Chris Tabron (Trash Talk, Mobb Deep, Ratking). Marrying synthesizer loops, cut-throat drum patterns and cyclical riffs, the album flirts with new technology, questions of authenticity and the technicalities of reinventing the wheel at the eleventh hour.
High Water II continues the band's signature New American Roots Rock sound and follows up 2018's debut High Water I, recorded during the same studio sessions at Dark Horse Studio in Nashville. Since forming in 2016, The Magpie Salute has garnered critical praise from Guitar World, Relix, and Rolling Stone, which summed up their live set as explosive. Having toured with Govt. Mule, The Avett Brothers, and Blackberry Smoke throughout 2018, The Magpie Salute has engaged fans worldwide.
• 18 brand new tracks from The Muffs. • First new album in five years. • Available on CD, Digital, and double-LP. • Vinyl features a laser-etched fourth side. After reissuing The Muffs’ three acclaimed first titles (The Muffs, Blonder And Blonder, and Happy Birthday To Me), it’s only fitting that the brand new Muffs album makes its way out into the world via Omnivore Recordings. No Holiday, The Muffs’ first new album in five years, is a celebration of everything the band has always stood for, and continues to be. Bassist Ronnie Barnett says “I think this new album represents the depth of our band like none of our others. It could have easily been aptly called The Many Moods Of The Muffs. All of our strengths: melody, big rock, sweetness, nastiness . . . All on display and readily apparent. The three of us, after all these years, are a family. The love between us is well represented here. We laid it all out there on this one.” Kim Shattuck (songwriter, guitarist, and vocalist) adds “I wrote the songs between 1991 and 2017. We decided to have a long album and use songs that had been in my arsenal but were weeded out for super concise albums. They were all great songs and we didn’t want them to go to waste. No way!” No Holiday contains 18 tracks on CD, Digital, and a 2-LP set (with laser-etched fourth side). Drummer Roy McDonald: “I think No Holiday is the most unique album we’ve ever made. 18 songs that run the spectrum from full blown productions to intimate home recordings. This was a labor of love for us and I think that comes out in the record. We wanted to create something lasting and special. I, for one, couldn’t be happier with the results.” Welcome back Muffs!
Corridor are a group from Montreal and their Sub Pop debut, Junior, was made just yesterday. The rock'n'roll band had barely inked their record deal when they surfed into studio, racing against time to make the most dazzling, immediate and inventive album of their young career: 39 minutes of darting and dodging guitars, spiraling vocal harmonies, and the complicated, goldenrod nostalgia of a Sunday mid-afternoon. This ain't Corridor's first rodeo. Junior is the band's third full-length and their third recorded with their friend, producer (and occasionally roommate) Emmanuel Ethier. However 2015's Le Voyage Éternel and 2017's Supermercado were made languorously, their songs taking shape across whole seasons. This time Dominic Berthiaume (vocals/bass), Julian Perreault (guitar), Jonathan Robert (vocals/guitar/synths), and Julien Bakvis (drums) permitted themselves no such indulgence. The band were committed to releasing an album every two years, and for Junior it required a blitz. "If you want to release something this fall, we need the masters by the 10th of May," the label had warned them. Winter was already in its last throes: on March 1, Corridor went into studio; in mid-April, Corridor came out. They had somehow created Junior and it was, if we may be so bold, spectacular. Singers, two guitars, bass, drums: the timelessness of the setup underpins the timelessness of the sound, a rock'n'roll borrowing from each of the past six decades—punk and pop, psych and jangle, daydream and swoon. This is music that's muscular, exciting and full of love, its riffs a kind of medicine. Whereas Corridor's past work could sometimes seem overstuffed, twenty ideas to the same song, the new work is hypnotic, distilled. "Part of the beauty of the thing is that we didn't have time to think about it," says Berthiaume. Six of Junior's 10 tracks were conceived during a single weekend. The words to "Bang" were written on the eve of the sessions, as Robert began to panic: "Je payerai tôt ou tard," he sings: I'll pay, sooner or later. Fewer jams, fewer overdubs—no fortnight in the countryside, secluding themselves in a chalet. Even the artwork came in the nick of time: in spite of other, meticulous, masterpieces, Robert's "shitty last-minute collage" (of an egg saying hello) was the one his bandmates went for. That might be Corridor's best trick—their mixture of seriousness and whimsy. Sub Pop have never before, in their 33-year history, signed a Francophone act. Maybe the band's magic springs from their ingenious hooks, their topaz-tinted vision. Maybe it's the panache of Québec's insurgent underground scene, or the camaraderie of Robert and Berthiaume, who have played together since they were 14. Maybe it's their name—a hallway crossed with a toreador. Probably it's all of these, and none of them: Junior is a joy, a hasty miracle, because it's so much damn fun to listen to. This album is 39 minutes; each day has 24 hours; you can listen 36 times before tomorrow.
Winter 1968 and showbiz legend Judy Garland arrives in Swinging London to perform in a sell-out run at The Talk of the Town.
It is 30 years since she shot to global stardom in THE WIZARD OF OZ, but if her voice has weakened, its dramatic intensity has only grown.
As she prepares for the show, battles with management, charms musicians, and reminisces with friends and adoring fans, her wit and warmth shine through. Even her dreams of romance seem undimmed as she embarks on a courtship with Mickey Deans, her soon-to-be fifth husband.
And yet Judy is fragile. After working for 45 of her 47 years, she is exhausted; haunted by memories of a childhood lost to Hollywood; gripped by a desire to be back home with her kids. Will she have the strength to go on?
Featuring some of her best-known songs, including the timeless classic ‘Over the Rainbow’, JUDY celebrates the voice, the capacity for love and the sheer pizzazz of “the world’s greatest entertainer
Over their career, Cold War Kids have fielded music’s seismic shifts while simultaneously sticking to their own game plan. Over the course of a dozen releases – including seven studio albums, multiple EPs, and a live album on majors and indies alike, non-stop tours and the festival circuit’s biggest stages, massive radio, sales & streaming successes, the band have become a major part of the modern landscape. Their new album New Age Norms 1, with lead single “Complainer” is the next chapter with the approach of taking apart the idea of what the band is and just trying to take the doors off a bit to see where it can go.
The latest chapter in the highly acclaimed Bob Dylan Bootleg Series revisits Dylan's pivotal musical journeys to Nashville, from 1967 to 1969, focusing on previously unavailable recordings made with Johnny Cash and unreleased tracks from the John Wesley Harding, Nashville Skyline, and Self Portrait sessions. LP 1 finds Dylan in Columbia's Studio A in Nashville recording alternate versions of compositions written for John Wesley Harding (October 17 and November 6, 1967) and Nashville Skyline (February 13-14, 1969) while introducing a new song "Western Road" (a Nashville Skyline outtake). LP's 2 and 3 are centered around Dylan's collaborations with American music icon Johnny Cash including the much sought-after Columbia Studio A sessions and on-stage performances at the Ryman Auditorium (May 1, 1969) for the recording of the premiere episode of The Johnny Cash Show (originally broadcast on ABC-TV on June 7, 1969). LP 3 closes with tracks recorded on May 17, 1970 with Grammy Award-winning bluegrass banjo legend Earl Scruggs for the PBS television special, "Earl Scruggs: His Family and Friends" (originally aired January 1971).
Single Disc, 180 Gram Black LP, Standard Single Sleeve Jacket, Printed Inner Sleeve
From Out Of Nowhere is the new album from Rock & Roll Hall of Famer and music legend Jeff Lynne, and follows up a remarkable run of sold out European and American tours. Jeff Lynne’s ELO, whose music has touched fans deeply across three generations now, has found himself in recent years at the peak of his powers as a songwriter, musician and producer. This new collection features a buoyant title song which opens the ten-track record including the wistful “Help Yourself” to the celebratory “Down Came the Rain” to the churning rocker “One More Time” to the sweet closer, “Songbird.”
As does its predecessor, 2015’s Alone in the Universe, From Out Of Nowhere shows Lynne finding new facets to his signature sound, at once drawing on his globally loved legacy and forging new paths in both sounds and emotions. Once again, he plays nearly every note of the music on guitars, bass, piano, drums, keyboards and vibes, as well as singing all of the lead and layered harmony vocals. Steve Jay, who also engineered the album, adds some percussion.
R.E.M.’s ninth album, Monster, was released at a time when the band were coming off the peak of their mainstream success, following Out of Time (1991) and Automatic For The People (1992). Coming from a long break in touring (the band famously didn’t tour with the two previous records), Monster represented an intentional shift in R.E.M.’s sound, a “return to rock” with guitar laden, simple arrangements. It was released to strong reviews and significant global success - reaching #1 on Billboard, and least 7 other countries. In 1995 the band promoted that album with their first concert tour since 1989 (although several band members suffered health problems). The album includes the singles; “What’s The Frequency, Kenneth?,” “Crush with Eyeliner,” “Bang and Blame,” and “Strange Currencies.”
Commemorating the album’s 25th anniversary, original Producer Scott Litt re-approached R.E.M.’s “Monster” by remixing the entire album. The original 1995 version was dense in guitars and feedback with the vocals mixed within the sonic wall, but on this alternative version the guitars are pulled back and the vocals pushed forward to create a more open sound and showcase often-revealing lyrics.
The deluxe edition package also includes previously unreleased demos, a complete live performance, recorded from the Monster tour in Chicago on June 3, 1995, plus a Blu-ray disc which features the band’s tour documentary “Road Movie,” five original music videos, as well as the complete remastered Monster album in 5.1 surround sound and hi-resolution audio.
Nirvana's classic MTV Unplugged in New York album is getting a 25th anniversary vinyl reissue. Marking the iconic lives set's first pressing as a double LP, the new edition features five rehearsal performances that were previously available on only the DVD release.
Among the rehearsals – which were previously only available as bonus content on the MTV Unplugged in New York – is a different take on the David Bowie cover “The Man Who Sold the World,” a version that finds both Nirvana and the production team finding their footing ahead of the concert. Rehearsal versions of “Polly,” “Pennyroyal Tea,” “Come As You Are” and the Meat Puppets’ “Plateau” are also included on the vinyl’s Side D.
The Hollywood legend, coolest man on the planet and purveyor of fine jazz will release his second album in November on Decca Records. And this time he’s bringing his friends. Jeff has assembled an extraordinary gang of vocalists from all walks of musical life, some of whom are revealing their jazz voices for the very first time. The feel good jazz album of the year, featuring singers Sharon Van Etten, Fiona Apple, Inara George, Jeff Goldblum & Anna Calvi.
The Rolling Stones’ groundbreaking multi-platinum selling album Let It Bleed was released in late 1969, charting at #1 in the UK and #3 in the US. The Rolling Stones, at this point already a critically and commercially dominant force, composed and recorded their eighth long player (tenth for the U.S.) amidst both geopolitical and personal turmoil. The second of four Rolling Stones albums made with producer Jimmy Miller (Traffic, Blind Faith), Let It Bleed perfectly captures the ominous spirit of the times with “Gimme Shelter,” the opening track.
The Let It Bleed (50th Anniversary Edition) single 180g LP includes the stereo version of the album, with restored original artwork and printed inner sleeve. The 2019 stereo remaster has been engineered by eleven-time Grammy®-winning mastering engineer Bob Ludwig.
This title was recorded live at the historic Village Vanguard in NYC in the Fall of 2018 during Jon Batiste’s residency at the legendary space. It is the follow up to “Anatomy of Angels’, which is part 1 of this 2 part series. The music on this release is original, instrumental music (other than “Soulful” which is a tribute cover to Ray Hargrove) showcasing Batiste’s virtuosic and uplifting talent he uses to command a room, and an iconic one at that.
Japanese Wallpaper is Gab Strum, Melbourne-based dream pop producer, songwriter and artist. Gab blends shimmery synths, downtempo beats, and electronic influences with introspective, coming of age song themes to craft his brand of indie pop. Glow is the debut album from Japanese Wallpaper about navigating the simultaneously beautiful and incredibly awkward phase that is one's late teens, growing up and trying to figure out your place in the world. Produced by Grammy-winning producer Ben H. Allen (Walk the Moon, Animal Collective, Gnarls Barkley, Kaiser Chiefs, Cut Copy, Washed Out, Neon Indian),
"When people listen to this record, I want them to know that I see them and hear them," said Lambert. "I feel you, because I'm just a girl from East Texas, writing about all the things that go on in my world and in the worlds of people around me. I want people to get along, you know, just be who you are, own it and move on from the moments you couldn t live in." Her first collaboration with producer Jay Joyce, Wildcard moves from fraught, taut rock & roll to gentle folk, classic Wurlitzer country and a bit of funky gospel with Lambert's signature wit and tongue-in-cheek humor permeating throughout.
The Mavericks are masters of country-latino-rock'n'roll. They rode high in the country and rock charts of the '90s with culture-crossing hits like 'What A Crying Shame"" and ""All You Ever Do Is Bring Me Down"". In 2004 they went on hiatus to explore new musical avenues. But since a reunion in 2012, the band has reestablished itself as one of the most exciting and joyfully entertaining acts on the touring circuit. Now, on their 30th anniversary as a band, they're back to remind the world why they're so good.
Newly expanded 3CD/1LP set that includes the original studio album – and the B-side “Who Scared You” – newly remastered by Bruce Botnick, The Doors’ longtime engineer and mixer. The collection is a limited edition of 15,000 individually numbered copies and also includes the original album on 180-gram vinyl along with liner notes by noted rock journalist David Fricke.
The core of the new collection is comprised of more than a dozen unreleased songs. Among the highlights are stripped down “Doors Only” versions of five tracks where the horns and strings have been removed (“Tell All The People,” “Touch Me,” “Wishful Sinful,” “Runnin’ Blue,” and “Who Scared You.”) The set also features three of those stripped-back versions with new guitar parts added by Robby Krieger (“Touch Me,” “Wishful Sinful,” and “Runnin’ Blue).
The collection also uncovers three songs from studio rehearsals – with Ray Manzarek (a.k.a. Screamin’ Ray Daniels) on vocals – that include an early version of “Roadhouse Blues,” a song that would be released the following year on Morrison Hotel. These three songs include newly recorded bass parts by Robert DeLeo of Stone Temple Pilots, who joined Krieger and John Densmore at a tribute concert for Manzarek in 2016, three years after the organist died of cancer. Manzarek’s take on “Roadhouse Blues” is available now on all digital download and streaming services.
A trio of studio outtakes collected on the set’s final disc feature the much-bootlegged, hour-long jam, “Rock Is Dead,” which appears here in its entire, surviving form for the first time ever. The track finds The Doors riffing through the entire history of rock ’n’ roll, from early delta blues through surf music, ending with the death of rock.
Jay and Silent Bob Reboot is an upcoming 2019 American comedy film written, directed, edited, and starring Kevin Smith. Referring to his 2001 comedy Jay and Silent Bob Strike Back, Smith has described the film as “literally the same fucking movie all over again”. It is intended to be the seventh film in the View Askewniverse. The film also stars Jason Mewes, and features Smith regulars, including Jason Lee, Brian O’Halloran, Ben Affleck and Matt Damon. It is scheduled to be theatrically released in the United States on October 15, 2019.
Enter Networker, the new album by Omni and first with indie giant Sub Pop Records. Their sound is still defined by sparse drums, locked-in bass, blistering guitar, and nonchalant, yet assured vocals, but from the first notes of "Sincerely Yours" you'll immediately notice that Networker sounds much cleaner and more "HI-FI" than their prior two albums, Deluxe (2016) and Multi-task (2017). The departure in fidelity suits the new record and allows the listener to enjoy the nuances of their meticulous arrangements. Don't worry, the riffs of Gang of Four and Wire are still present, but the production is more lush and the harmony is even more expansive. Despite nods to the sounds of the ’70s and ’80s what comes through is a record fully rooted in the here and now. Thematically, this is apparent on the title track "Networker" taking a candid snapshot of the “digital you” aspect of life in the age of the internet. The otherwise fun romp “Skeleton Key” also acknowledges the “direct message and obsessive” side of social media with lines like “if you don't like what you see, the pretty face on the screen, scroll on by...” Networker was written half between tours and half during recording sessions. The band, Philip Frobos on bass/vocals and Frankie Broyles on guitars/drums/keys, returned with longtime collaborator Nathaniel Higgins to the studio in South Georgia where they also recorded Multi-task and most recent single "Delicacy." In this case, the “studio” is a cabin near Vienna, GA (pronounced Vye-anna) that was built by Frankie Broyles’ great-grandparents in the 1940s. The band completed four sessions between November 2018 and April 2019. Omni hit their stride in the cabin with songs such as "Moat,” which cruises along at a nice mid-tempo clip with sounds that are maybe piano or maybe the “behind the bridge” strings of a Jaguar a la Sonic Youth or This Heat. "Blunt Force" provides a nice contrast to some of the more upbeat cuts, getting jazzy with it’s less traditional arrangement and psychedelic outro. Overall, Networker is simultaneously fun, catchy, and contains some truly impressive musicianship. This combo is especially hard to pull off as bands that are great players often don’t have great or memorable songs. Omni and Nathaniel Higgins have done a stellar job of reigning in their diverse influences into a cohesive record by curating their sounds into a tight package that leaves you just on the cusp of understanding where the band is coming from, while still feeling like you’re hearing something totally fresh. While their earlier records had more of a “post-punk” sound, Networker is an amalgamation of the best sounds of the ’70s and ’80s, all arranged with (mostly) guitars, bass, and drums for our contemporary age, and it really works! There are hooks everywhere, vocal and instrumental, that will leave you humming along, even during the first listen. As Philip Frobos says in “Present Tense,” “guess who’s on my mind right now?” Well, Omni’s on mine and will be on yours soon. -Scott Munro, Preoccupations 2019
HADESTOWN intertwines two mythic tales — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — as it invites you on a hell-raising journey to the underworld and back. ABOUT THE ALBUM: • This Tony-winning score defies musical theatre convention, weaving together American songwriting traditions from indie folk to pop to blues and beyond. • This album was produced by Grammy® winner David Lai (the 2009 West Side Story Cast Album) alongside Todd Sickafoose and Anaïs Mitchell, who also collaborated on Mitchell’s celebrated modern folk album Young Man in America. • This recording represents the Broadway show in its entirety. • It features vocal performances by Reeve Carney (Spider-Man: Turn Off the Dark); Tony nominees Eva Noblezada (Miss Saigon), Patrick Page (Spring Awakening), and Amber Gray (Natasha, Pierre and the Great Comet of 1812); and Tony winner André De Shields (The Wiz). • Throughout July 2019, select tracks were released based on specific characters' songs, building to the full album release on July 26. By the end of July, the album had received 5.9M streams and counting. • The deluxe 2-CD set comes with a 64-page booklet, including full libretto and breathtaking production photos. • A limited edition 3LP vinyl box set — including libretto and free download code — is also available. ABOUT HADESTOWN: • Winner of 8 Tony Awards including Best Score and Best Musical. • Hadestown's journey to Broadway began a decade ago, with Anaïs Mitchell’s Grammy-nominated 2010 concept album featuring guest vocals by Ani DiFranco, Justin Vernon (Bon Iver), Ben Knox Miller (The Low Anthem), and more. • Before arriving on Broadway, Hadestown had fully staged productions at Manhattan’s New York Theatre Workshop, Edmonton’s Citadel Theatre, and London’s National Theatre. • Consistently selling at over 115% of gross potential, and currently performing at over 100% capacity, Hadestown's ticket sales continue to break records at the Walter Kerr Theatre. • Demand for tickets continues to grow, with advance bookings through July of 2020. • As of July 2019, Hadestown has 23K Facebook followers, 26.8K Twitter followers, and 111K Instagram followers.
Frail Body is a hardcore/punk band from Rockford, IL that embodies the spirit and soul of what many define as "screamo". A Brief Memoriam combines a new four-song recording session with their sought after At Peace session into one proper album. Both sessions were recorded by engineer Zack Farrar at Choir Room Audio. A-side opener "Pastel" erupts with unhinged emotion driven by discordant guitars and hyper-speed drumming. This leads to the powerful "Your Death Makes Me Wish Heaven Was Real" a moving song of mourning and remembrance. "Aperture" then explores concepts of identity and growth amid a tangle of beautiful musical debris. Lastly, the poignant "Tradition in Verses" unfurls with a ground shaking emotion that is hard to capture in words. The B-side of A Brief Memoriam is comprised of their incredible At Peace session; a recording that shows Frail Body even in their earliest state was a heartfelt, creative force.
Aurora features reimagined versions of the band’s biggest and most popular songs with special guests including Lacey Sturm (ex-Flyleaf), Scooter Ward(Cold) and Spencer Chamberlain (Underoath), to name a few. Speaking about Aurora, BREAKING BENJAMIN’s founder/frontman, Ben Burnley, had this personal message to share,”This album is a celebration of our incredible fans; for those who have been there since hearing ‘So Cold’ for the first time in 2004, and the new ones who have joined us on this amazing journey along the way. We’ve always shared a unique emotional connection to our music with our fans, and this album attributes to those dark times and euphoric ones. From wherever you joined along the road to Aurora, this one is for you. Thank you.”