Now Hear This
Elle King can do many things, ranging from exuberant alternative/punk to soul pop. She’s also been a compelling presence in country music; winning both Country Music Association and Academy of Country Music Awards and breaking the 30 year old, glass-ceiling record for women on the radio charts with the lead single “Drunk (And I Don’t Want To Go Home).” She’s collaborated with Dierks Bentley, Miranda Lambert, Ashley McBryde and been on tour with Chris Stapleton for the better part of 2022; it’s been an unbridled love fest with Nashville’s music community.
Now she makes it country music official with Come Get Your Wife, a dozen glorious tracks that run a gauntlet of styles and attitudes leaving King’s roots showing. Set for release on Jan. 27, the quadruple Grammy nominee co-produced the album with award winning songwriter Ross Copperman and the result is a collection that moves through all the topics. From being a hot mess, a glorious excess and a woman coming into her own, King has created a very real, small-town frayed at the edges but solid at core missal.
Elle King, singular, swaggering, sardonic, is a musically and personally fearless woman. With Come Get Your Wife, she sharpens her gaze, digs into her roots, puts her banjo front and center and creates a record that’s as alive and electric as she is. Taking all the pieces – the rock, soul, (blue)grass and country that she loves – she’s made an album that demands your attention, then delivers on all cylinders.
“There’s something about how you put the pieces together,” King offers of her first true country project. “This whole album is a crazy quilt of all sorts of moments and things that might not seem to go together, but because they’re me, they do. It’s very Southern Ohio, very who we are – and very much a lot of people who are just like me, because I know they’re out there.”
Rush! Is the latest full length from global sensation, Mĺneskin. The band is a critically acclaimed four-piece-rock band that began busking on the streets of Rome as teenagers, and now just a few years later, are a razor tight group of captivating musicians widely hailed for being at the forefront of driving a worldwide resurgence of Rock music. Rush! contains the track ‘Kools Kids’ that was recently debuted live along with ‘The Loneliest,’ the band’s latest global-smash-in-waiting, an ode to classic old-school rock ballads.
Brit Taylor’s highly anticipated sophomore album, Kentucky Blue, is a drive down the famed Country Music Highway – Route 23 -- back to her Appalachian roots. Grammy-winner Sturgill Simpson and renowned engineer and producer David Ferguson caught wind of the Kentucky gem after her self-reflective debut album, Real Me, garnered praise from Rolling Stone, American Songwriter and NPR’s World Café. The two legends didn’t hesitate to jump in and get their hands dirty, producing the next musical chapter of Brit’s life story. The album is to be released on Brit’s own Cut A Shine Records in collaboration with Thirty Tigers.
Having the courage to find her “real me” set Brit free. Kentucky Blue is a musical celebration of her healing and rebirth. It exudes confidence with a touch of attitude that replaces the melancholy, contemplative sound of Real Me. It is a progression of her life and her music and an introduction to the stand-your-ground and know-your-worth Brit of today. It is a shift back to her East Kentucky influences where the cry of the fiddle, the moan of the steel guitar, the twangy banjo and the atmospheric string section are like a journey floating through space and time.
Brit continues to unabashedly write and sing about what she lives and what she knows and sees. It’s genuine. It’s who she is.
Kentucky Blue is Brit’s personal invitation to you to join her at her cabin in the woods for a bourbon, a swing on the porch and a story-telling song.
Announcing their debut album Leisure in 1991, Blur continued to revolutionise the sound of English popular music with second release Modern Life Is Rubbish (1993). Five successive UK #1 albums followed - with Parklife (1994) and The Great Escape (1995) helping to propel the band to mass popularity in the UK and beyond. The eponymous Blur was released in 1997 and seventh album Think Tank (2003). In 2015 the band returned with The Magic Whip It was the band's first studio album in 12 years.The album received acclaim from music critics. It debuted at number one on the UK Albums Chart, marking Blur's sixth UK number-one album. It has been certified Gold.
In recent years, his film and TV composing work has included soundtracks for Netflix sci-fi series The One and BBC One’s technological crime thriller The Capture.
Illiterate Light thrives on subverting expectations. Though just a duo, the Harrisonburg, Virginia-based singer-guitarist Jeff Gorman along with Nashville, Tennessee-based drummer Jake Cochran make surprisingly pummeling and thoughtful alternative rock. Since the band’s 2015 inception, they’ve intently focused on their unorthodox live show with Cochran standing behind his kit and Gorman playing synth bass with his foot as he sings and strums his guitar. Fiercely egalitarian and independent, the two not only split up songwriting duties and arrangement ideas, they even built bike-powered stages: bringing the fans into the live experience and envisioning a greener future for shows.
But with their latest album Sunburned, out January 27 via Thirty Tigers, Gorman and Cochran have turned their attention inward to their songwriting and studio craft. It’s their most fully-realized and ambitious LP yet, one that’s full of immediate songs that update and revolutionize the band’s approach to making music. There are rich keyboard and programmed percussion textures now populating their songs, as well as soaringly anthemic choruses, and hefty doses of fuzz. “On our first record, we were very live-focused and wanted to make sure whatever we were writing was translated in person,” says Gorman. “Without that crutch, we could be more adventurous and take more risks. We definitely weren’t timid in the studio.”
As their writing started, Gorman’s father died after a years-long battle with multiple system atrophy (MSA). While his grief was devastating and palpable, it also gave him clarity and newfound motivation. “These songs aren't about my dad dying but there’s been such a shift in my own life that my own writing took on a certain fearlessness,” says Gorman. “I saw the thin veil between life and death and I realized there's nothing to be afraid of anymore. I wanted to embrace the things I love and the weird things that'll come to us in life. My grief found its way into the record, sonically and emotionally, but not topically.”
The songs on Sunburned find their resonance in dichotomies, the connection between light and dark, life and death, and heaven and hell. Gorman and Cochran work best in contradictions, gray areas, and difficult questions that don’t have easy answers. On single “Fuck LA,” what looks like a kiss-off to a major city is actually an anthem for the homesick as Gorman sings, “Wherever you are / Fuck that place / And come back home.” Meanwhile, “Feb 1st” captures the other side of the coin: the desperation of being stir-crazy cooped up at home. Gorman snarls, “So take me somewhere I’m a stranger / Yeah take me back to Santa Fe / And show me faces unfamiliar / Yeah show me somebody like you.”
Sunburned is an album for searchers, the people who channel the darkest energy into something healing and positive. Even on songs like the adventurous and experimental “Hellraiser,” which takes on a menacing undertone in its lyrics, Illiterate Light presents it in a way that’s universal and inviting. “This record was all about chasing a gut feeling and going for songs that had more depth and darkness and pain,” says Gorman. “We'd rather share what we're really going through and let that come out.”
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After much enthusiasm that helped foster the band’s self-titled 2020 EP, My Kid Brother are branching out themselves. MAD HAPPY WEIRD SAD, recorded with producer Eric Palmquist (Thrice, Bad Suns, Mutemath), builds on their EP’s polished, hooky rock with heavier riffs ("Roots") and thicker grooves ("High Society"), colorful and quirky arrangements, lyrics that span stalker tales to unfiltered love songs, and choruses that punch with a newfound intensity ("Shoulders").
Having started her professional career outside of her home of Zambia, Sampa The Great returned at the beginning of the pandemic to Africa. As Above, So Below is the result of this return to her roots, embracing the sounds and themes of her origins. Sampa has reconnected with a different side of herself, one closer to the younger artistry that was nourished growing up. Now, in an age of authenticity, meet a 360 Sampa, a higher version of herself. No mask on, or role to play.
Widely acknowledged as one of the most influential artists and dynamic live performers of all time, Iggy Pop is a singer, songwriter, musician, author, record producer, DJ, and actor whose epic body of work has earned him both worldwide critical acclaim and fanatic cult success.
Atlantic Records has announced an exclusive partnership with Gold Tooth Records, founded by GRAMMY® Award-winning and multi-platinum producer Andrew Watt. In addition, the one and only Iggy Pop is the first artist signed to this joint venture. The GRAMMY® Lifetime Achievement Award honoree and Godfather of Punk shared he will make his label debut on October 28 with “Frenzy,” the first single off Iggy’s forthcoming album, Beginning in 1967 with his era-defining group The Stooges, Pop merged primal rock, blues, and free jazz into something altogether dangerous and new, paving the way for punk, post-punk, hard rock, and grunge. His landmark solo career – which kicked off with 1977’s David Bowie-produced The Idiot and Lust For Life – has seen Pop traverse a stunning span of musical genres, inspiring generation after generation of rock ‘n rollers with his iconoclastic songcraft, uncompromising performance style, and one-of-a-kind charisma. Perhaps the greatest living embodiment of rock & roll, Pop has never slowed down, pushing the art form forward for more than half a century, including his most recent full length recording, 2019’s contemplative, critically acclaimed Free.
Rachael & Vilray—the duo singer/songwriter Rachael Price (Lake Street Dive) and the guitarist/singer/songwriter Vilray—return with their second studio album, I Love a Love Song! The album features eleven new songs plus one 1930s classic.
Combining Rachael Price’s singular voice with Vilray’s knack for songwriting, I Love a Love Song! showcases Rachael & Vilray’s respect for their jazz predecessors, taking the best of the past and creating something new.
Recorded at United Recording in Los Angeles, CA, the twelve-track album was produced, engineered, and mixed by Dan Knobler and features arrangements from Jacob Zimmerman . All songs were written by Vilray except for “Goodnight My Love,” which was written by Mack Gordon and Harry Revel.
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The latest chapter in Columbia/Legacy's highly acclaimed Bob Dylan Bootleg Series takes a fresh look at Time Out of Mind, Dylan's mid-career masterpiece, celebrating the album and its enduring impact 25 years after its original release on September 30, 1997. Fragments - Time Out of Mind Sessions (1996-1997): The Bootleg Series Vol.17 follows the evolution of songs written for the album, from intimate early incarnations in the previously unreleased 1996 Teatro sessions through incandescent live renditions showcasing Dylan and his touring ensemble channeling the songs on-stage from 1998-2001.
Disc one premieres 2022 mixes, by Michael H. Brauer, of the eleven original recordings on Time Out of Mind, sounding more like how the songs came across when the musicians originally played them in the room.
Discs two and three are comprised of rare outtakes and alternate versions of songs written for Time Out of Mind including four original Dylan compositions--"Dreamin' of You," "Red River Shore," "Mississippi" (later re-recorded for "Love & Theft" in 2001) and "Marchin' to the City"--not included on the canonical 1997 tracklist. A fifth unreleased performance, Dylan's interpretation of "The Water is Wide," a traditional folk song of Scottish origin (and spiritual precursor of "Highlands," Time Out of Mind's epic closer) opens Disc Two.
Disc four presents songs from Time Out of Mind in a series of spectacular live performances from 1998-2001. All tracks on disc four are previously unavailable with the exception of "Make You Feel My Love" (May 21, 1998, Los Angeles).
As a bonus for fans, disc five brings together studio recordings of the four Dylan songs omitted from the original Time Out of Mind track list as well as exemplary live performances of "Cold Irons Bound" and "Tryin' To Get To Heaven." The twelve tracks on disc five were previously available on The Bootleg Series Vol. 8: Tell Tale Signs.
Four times BRIT nominated, RAYE is one of the most streamed artists in the world with over 2.3 billion streams of her music. She has a double-platinum, four platinum, two gold and three silver singles to her name. She is also indisputably one of the UK's premier songwriters. Her songs have amassed over 3 billion streams, having written for some of the world's biggest artists including: John Legend, Ellie Goulding, Khalid, David Guetta, Diplo, and Beyonce. In 2019 she was awarded The BMI Impact Award in recognition of her 'ground-breaking artistry, creative vision and impact on the future of music.
During the summer of 2021, her cries of frustration for not being able to release her album were heard worldwide, leading to a mutual separation from her label and allowing her to carve her own path. Having made her public tirade, followed by her personal 'declaration of independence', Raye in effect has obligated herself to deliver the ground-breaking first album that her 2019 BMI award prophesied. In 2022 she was nominated for the Ivors Songwriter of the year, landed R1 Brits List, made her debut solo TV performance on Jools Holland and made the face of Spotify's November Equal campaign. On February 3rd, 2023, RAYE will release her debut My 21st Century Blues. This is RAYE part two. It's RAYE on her own terms. -It's the RAYE of old, but reloaded. These are songs made by RAYE, for RAYE, but within that they're for everyone who has faced and overcome adversity. They're also anthems for other women in the industry, or stuck in a cycle of misogyny.