Indie Exclusive Releases

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Titus Andronicus

Single LP on half opaque gray / half black vinyl in same packaging as standard LP. Includes coupon for full download

An Obelisk is the sixth album from Titus Andronicus, which finds the noted rock band under the stewardship of producer and legendary rocker Bob Mould (Hüsker Dü, Sugar, et al.). This trans-generational meeting of the minds has yielded the most immediate, intense, and unadorned Titus Andronicus record to date. Clocking in it a brisk 38 minutes and change, it is also the shortest. Recorded over six breathless days at Steve Albini's world-renowned Electrical Audio studio in Chicago, An Obelisk presents the sound of Titus Andronicus, rock band, at it's most irreducible, as monolithic as the album's titular monument.

Titus Andronicus
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Buddy & Julie Miller

Their first album together in nearly 10 years, Breakdown On 20th Ave. South is an album of Julie Miller songs produced by Buddy Miller. As a couple and individually, Buddy and Julie have been nominated and received multiple awards including Grammys, Americana Awards, Dove Awards among others. Julie Millers songs have been recorded by a diverse range of artists including Emmylou Harris, Lee Ann Womack, Levon Helm, Solomon Burke, and Miranda Lambert. Buddy Miller is known for his work as a guitarist, performing live and in the studio with artists such as Robert Plant, Alison Krauss, Steve Earle and Emmylou Harris. Buddys production credits include albums with Plant, Harris, Earle, Patty Griffin, Shawn Colvin and many more.Breakdown On 20th Ave. South is a first rate showcase for Julies finely crafted lyrics. There is a line from the track Spittin' on Fire that best illustrates Julies sharp edged word play: You're a dangerous little storm, one part cold and one part warm. The song War Child is a cry for help that usually goes unheard. A cry for for help from thousands and thousands of children stolen from their families, forced to carry a gun at ages as young as 7 or 8. Never to see home again. Tracks like, Im Gonna Make You Love Me and Everything Is Your Fault hint at the ups and downs of love. The entire album is tied together by Buddys unfussy production style. Breakdown On 20th Ave. South is a treat for long time fans of Buddy & Julie and a delightful discovery for new listeners.

Buddy & Julie Miller
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Chris Robinson Brotherhood

Servants of the Sun bursts into the clear blue air with the funky upper atmosphere bubbling of vintage keyboards and driving rhythm. A gateway swings wide open to a universe that the Chris Robinson Brotherhood has been tirelessly constructing for eight years through extraordinary musicianship, endless touring and a roving, seemingly bottomless wizard’s chest of sonic delights. The band’s 8th studio effort since forming in 2011—spread out over six full length albums and two EPs—sets aside the studio explorations of their more recent work and turns inward to the heart of the Brotherhood’s universe. Of the origin concept for Servants, bandleader Chris Robinson explains: “I let my head go to a Saturday night at the Fillmore, and said, what’s the best set we could play?” And in following that guiding principle the CRB bottled their pure essence into 10 new songs, a distillation of their journey so far. In many ways they have come full circle in delivering their most direct, bare bones, rock n’ roll record since debut companion albums ‘Big Moon Ritual’ and ‘The Magic Door.’

Chris Robinson Brotherhood
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Baroness

The fifth studio album from Baroness, Gold & Grey, is out on June 14th via the band's own label, Abraxan Hymns.

Side A

Side B

 

01 

Front Toward Enemy

02 

I'm Already Gone

03 

Seasons

04 

Sevens

05 

Tourniquet

06 

Anchor's Lament

01 

Throw Me an Anchor

02 

I'd Do Anything

03 

Blankets of Ash

04 

Emmett - Radiating Light

05 

Cold-Blooded Angels

 

Full Length Vinyl 2

 

Side A

Side B

 

01 

Crooked Mile

02 

Broken Halo

03 

Can Oscura

04 

Borderlines

05 

Assault on East Falls

06 

Pale Sun

 Side B on LP 2 will be an etching.

 

Baroness
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Bad Religion

Bad Religion began in the sprawling suburbs surrounding Los Angeles, with the teenage punks offering an impassioned counterpoint to a culture of consumerism and anti-intellectualism. Founding members Greg Graffin, Brett Gurewitz, and Jay Bentley were eventually joined by guitarists Brian Baker of Minor Threat, Mike Dimkich of The Cult, and drummer Jamie Miller of …And You Will Know Us by the Trail of Dead. Bad Religion have been highly influential force in modern punk, producing beloved international hits like “Infected,” “21st Century (Digital Boy),” and “Sorrow,” and building a devoted worldwide following.

Bad Religion are set to release their new album Age of Unreason, which can be described as  "a musical manifesto on the current political landscape.”  In a world still brimming with rampant anti-intellectualism, inequality and oppression, the band’s signature brand of sonically charged humanist dissent seems as relevant as ever.

Bad Religion
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Kishi Bashi

Omoiyari is Kishi Bashi's fourth album, following the acclaimed 151a (2012), Lighght (2014), and Sonderlust (2016). Channeling the hard-learned lessons of history, Omoiyari reflects the turbulent socio-political atmosphere of present day America. "I was shocked when I saw white supremacy really starting to show it's teeth again in America," Kishi Bashi says. "My parents are immigrants, they came to the United States from Japan post-World War II. As a minority I felt very insecure for the first time in my adult life in this country. I think that was the real trigger for this project." Kishi Bashi recognized parallels between the current U.S. adminis- tration's constant talk of walls and bans, and the xenophobic anxieties that led to the forced internment of Japanese-Americans in the months following the attack on Pearl Harbor. So he immersed himself in that period, visiting former prison sites and listening to the stories of survivors, while developing musical concepts along the way. The unique creative process behind Omoiyari has been documented in a film scheduled for release in early 2020. "I didn't want this project to be about history, but rather the importance of history, and the lessons we can learn," Kishi Bashi reflects. "I gravitated toward themes of empathy, compassion, and understanding as a way to overcome fear and intolerance. But I had trouble finding an English title for the piece. Omoiyari is a Japanese word. It doesn't necessarily translate as empathy, but it refers to the idea of creating compassion towards other people by thinking about them. I think the idea of omoiyari is the single biggest thing that can help us overcome aggression and conflict." The strong conceptual elements of Omoiyari are driven by Kishi Bashi's captivating musical score. Stepping away from his past loop-based production model, he embraced a more collaborative approach when recording, and for the first time included contributions from other musicians, such as Mike Savino (aka Tall Tall Trees) on banjo and bass, and Nick Ogawa (aka Takenobu) on cello. Kishi Bashi's spectacular trademark violin soundscapes are still an essential component of his sound, but the focus of Omoiyari is centered squarely on it's songs. While the theme of Omoiyari is rooted in 1940s America, the album's message is timeless. In exploring the emotional lives of the innocent Japanese-Americans who were unjustly incarcerated, Kishi Bashi hopes to nurture a sense of empathy, or omoiyari, in all who hear the album.

Kishi Bashi
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Cate Le Bon

It was on a mountainside in Cumbria that the first whispers of Cate Le Bon’s fifth studio album poked their buds above the earth. “There’s a strange romanticism to going a little bit crazy and playing the piano to yourself and singing into the night,” she says, recounting the year living solitarily in the Lake District which gave way to Reward. By day, ever the polymath, Le Bon painstakingly learnt to make solid wood tables, stools and chairs from scratch; by night she looked to a second-hand Meers — the first piano she had ever owned — for company, “windows closed to absolutely everyone”, and accidentally poured her heart out. The result is an album every bit as stylistically varied, surrealistically-inclined and tactile as those in the enduring outsider’s back catalogue, but one that is also intensely introspective and profound; her most personal to date.

Cate Le Bon
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Amyl and The Sniffers

Amyl and The Sniffers are a grimy pub rock band from Melbourne, Australia. The band take their cues from a diverse mix of hard rock, Aussie punk, and country. They set out to have as much fun as possible and scared up a whole lot of fans along the way. AATS were brought to ATO’s attention when they opened for King Gizzard. The Sniffers have since been selling out headlining dates in the US and have sold through three pressings of their "Some Mutts" single. Their full-length album releases 5/24.

Amyl and The Sniffers
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The National

I Am Easy To Find is The National’s eighth studio album and the follow-up to 2017’s GRAMMY®-award winning release Sleep Well Beast. A companion short film with the same name will also be released with music by The National and inspired by the album. The film was directed by Academy Award-nominated director Mike Mills (20th Century Women, Beginners), and starring Academy Award Winner Alicia Vikander. Mills, along with the band, is credited as co-producer of the album, which was recorded at Long Pond, Hudson Valley, NY with vocal contributions from Sharon Van Etten, Brooklyn Youth Chorus, Lisa Hannigan, Mina Tindle and more. On September 3, 2017, director Mike Mills emailed Matt Berninger to introduce himself and in very short order, the most ambitious project of the National’s nearly 20-year career was born and plans for a hard-earned vacation died. The Los Angeles-based filmmaker was coming off his third feature, 20th Century Women, and was interested in working with the band on...something. A video maybe. Berninger, already a fan of Mills’ films, not only agreed to collaborate, he essentially handed over the keys to the band’s creative process. The result is I Am Easy to Find, a 24-minute film by Mills starring Alicia Vikander, and I Am Easy to Find, a 68-minute album by the National. The former is not the video for the latter; the latter is not the soundtrack to the former. The two projects are, as Mills calls them, “Playfully hostile siblings that love to steal from each other”—they share music and words and DNA and impulses and a vision about what it means to be human in 2019, but don’t necessarily need one another. The movie was composed like a piece of music; the music was assembled like a film, by a film director. The frontman and natural focal point was deliberately and dramatically side staged in favor of a variety of female voices, nearly all of whom have long been in the group’s orbit. It is unlike anything either artist has ever attempted and also totally in line with how they’ve created for much of their careers.

The National
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Mac DeMarco

Mac DeMarco returns with his newest album, Here Comes the Cowboy, the first album to be released on his new independent label, Mac’s Record Label. The album features lead single “Nobody,” and is available on May 10.

Mac DeMarco
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Justin Townes Earle

12" Vinyl 2LP, 4th side etch, split gold and yellow colored. Limited to 500.

The Saint Of Lost Causes
is the 8th album from American roots troubadour, Justin Townes Earle.  Earle’s latest album finds a songwriter and artist who is unflinching and unequivocal in his truth. When writing this album, Earle focused on a different America—the disenfranchised and the downtrodden, the oppressed and the oppressors, the hopeful and the hopeless. There’s the drugstore-cowboy-turned-cop-killer praying for forgiveness (“Appalachian Nightmare”) and the common Michiganders persevering through economic and industrial devastation (“Flint City Shake It”); the stuck mother dreaming of a better life on the right side of the California tracks (“Over Alameda”) and the Cuban man in New York City weighed down by a world of regret (“Ahi Esta Mi Nina”); the “used up” soul desperate to get to New Orleans (“Ain’t Got No Money”) and the “sons of bitches” in West Virginia poisoning the land and sea (“Don’t Drink the Water”). These are individuals and communities in every corner of the country, struggling through the ordinary—and sometimes extraordinary—circumstances of everyday life.

Justin Townes Earle
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Defeater

Since their inception in 2008, Defeater have stood apart as storytellers in the world of hardcore. Hailing from Boston, Massachusetts, the band’s lineup consists of Derek Archambault (vocals), Adam Crowe (guitar), Jake Woodruff (guitar), Joe Longobardi (drums) and Mike Poulin (bass). They have toured with the likes of La Dispute, Comeback Kid, and August Burns Red. Defeater will be the band’s fifth studio album

Defeater
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Barrie

Inclusivity is at the heart of Barrie, the Brooklyn five-piece made of Barrie Lindsay, Dominic Apa, Spurge Carter, Sabine Holler and Noah Prebish. And on their debut LP Happy To Be Here, their multidimensional take on classic pop sounds awake and present, like a group that’s daydreaming but firmly there with one another. Barrie, the band, is primarily her project; on the record, which she co-produced with Jake Aron (Snail Mail, Solange, Grizzly Bear), Lindsay plays guitar, piano, synth and bass. But still, Barrie is distinctly not a solo project, and Happy To Be Here—out May 3, 2019 via Winspear—is very much a full band record.

Happy To Be Here offers snapshots of the band coming together in the city, after having lived all over: Boston, Baltimore, upstate New York, London, São Paulo via Berlin. “The scaffolding of this album is moving to New York and finding t

Barrie
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Filthy Friends

Emerald Valley is the sophomore effort from supergroup Filthy Friends, out May 3 on Kill Rock Stars. This album finds Corin Tucker, Peter Buck, Scott McCaughey, Kurt Bloch, and new drummer Linda Pitmon flexing their muscles both sonically and thematically: the music contains more surprises and sophistication, while the lyrics take on the current state of our planet and our people. The album title and title track come from another name for Eugene, OR, Tuckers home city, and evolved, in her words, into a sort of manifesto about the kind of place we are at as a country but also as a region. Just taking stock of where were at and feeling like I cant believe we let things get this bad.

Filthy Friends
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Frank Carter & The Rattlesnakes

2019 release. Frank Carter & the Rattlesnakes return with their third studio album End of Suffering. Recorded at Chapel Studios with Cam Blackwood (George Ezra/Jack Savoretti) and mixed by Alan Moulder (Nine Inch Nails/Queens of the Stone Age) - End of Suffering (named after the Buddhist term for enlightenment) is the sound of a band entering an entirely new realm of the senses, a forty minute rock 'n' rollercoaster of molten-hot bangers, scorched-soul ballads and grunge lullabies laced through with a lacerating lyrical honesty.

Frank Carter & The Rattlesnakes
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Big Thief

U.F.O.F., F standing for ‘Friend’, is the name of the highly anticipated third record by Big Thief, set to be released by 4AD on May 3rd. The New York-based band, featuring Adrianne Lenker (guitar, vocals), Buck Meek (guitar), Max Oleartchik (bass), and James Krivchenia (drums), has spent the last 4 years on an incessant world tour, winning the devotion of an enthusiastic and rapidly expanding audience. Their songs represent an emotional bravery and realness that weaves intimate relationships with the listener, a phenomenon that has made them one of the most widely-respected bands of the current era. Their first two back-to-back releases, Masterpiece (2016) and Capacity (2017), have been analysed, wept to, danced to, critically applauded, imitated, hummed idly, and shouted out loud. They have soundtracked crowded restaurants, difficult conversations, cowboy bars, yoga classes, night drives, and lonely bedrooms. U.F.O.F. was recorded in rural western Washington at Bear Creek Studios. In a large cabin-like room, the band set up their gear to track live with engineer Dom Monks and producer Andrew Sarlo, who was also behind their previous albums. Having already lived these songs on tour, they were relaxed and ready to experiment. The raw material came quickly. Some songs were written only hours before recording and stretched out instantly, first take, vocals and all. Others were explored in search of perfected moments of dynamic feedback and spiritual, rhythmic togetherness. A careful New Age sprinkle of mystical textures and stabs was added and kept in the mix only when all agreed that each element had become absolutely crucial to the tune. The completed palette feels classic, upfront and honest, with an occasional, welcome glimpse into the magic box.

Big Thief
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The Mountain Goats

Deluxe Edition-- Double LP on yellow & green marbled vinyl in double gatefold jacket, housed in debossed dragon scale pattern slipcase. Bonus 7-inch (same as peak version, black vinyl) & collectible Dragon Leaguemembership card inside packaging. Includes coupon for full download. Indie Only. Limited Edition

The Mountain Goats are John Darnielle, Peter Hughes, Jon Wurster, and Matt Douglas. They have been making music together as a quartet for several years. Three of them live in North Carolina and one has moved back to Rochester. Their songs often seek out dark lairs within which terrible monsters dwell, but their mission is to retrieve the treasure from the dark lair & persuade the terrible monsters inside to seek out the path of redemption. As Axl Rose once memorably asked, in the song “Terrible Monster”: “what’s so terrible about monsters, anyway?” This is the question The Mountain Goats have been doggedly pursuing since 1991. They will never leave off this quest until every option has been exhausted. Thank you.

The Mountain Goats
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The Mountain Goats

Double LP on green vinyl in same packaging as standard version & a bonus 7-inch with two non-album songs (on black vinyl). Includes coupon for full download. Indie Only. Limited Edition

The Mountain Goats are John Darnielle, Peter Hughes, Jon Wurster, and Matt Douglas. They have been making music together as a quartet for several years. Three of them live in North Carolina and one has moved back to Rochester. Their songs often seek out dark lairs within which terrible monsters dwell, but their mission is to retrieve the treasure from the dark lair & persuade the terrible monsters inside to seek out the path of redemption. As Axl Rose once memorably asked, in the song “Terrible Monster”: “what’s so terrible about monsters, anyway?” This is the question The Mountain Goats have been doggedly pursuing since 1991. They will never leave off this quest until every option has been exhausted. Thank you.

The Mountain Goats
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Josh Ritter

Josh Ritter is returning this year with a new full-length, his tenth studio LP and follow-up to 2017’s Gathering. The Americana songwriter’s latest album, Fever Breaks, spans 10 tracks recorded at Nashville’s RCA Studio A over the second half of the past year. Jason Isbell produced the effort, which features his band The 400 Unit playing backup. It’s an exciting confluence of talents, and the promised chemistry bears out on the album’s gritty lead single “Old Black Magic”.

Josh Ritter
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Altin Gun

Altin Gun was inspired by founder Jasper Verhulst’s passion for both Turkish folk music & psychedelia. Their new record Gece firmly establishes the band as masterful interpreters of Anatolian rock/folk & leading voice in the emergent global psych scene. It’s electric Turkish history reimagined for the 21st century, filled with funk-like grooves & explosive psychedelic textures. It’s the sound of a band both committed to its sources & excitedly transforming them.

Altin Gun
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Bailen

BAILEN’s musicality springs from a very deep well, in fact, it’s in their DNA. Raised in New York City by their classically trained parents, siblings Daniel, David and Julia Bailen (fraternal twins and younger sister, respectively) immersed themselves in a record collection that included Simon & Garfunkel, Joni Mitchell, Carole King and The Band. Produced by GRAMMY-Award winner John Congleton (St. Vincent, The War on Drugs) the transcendent harmonies, striking arrangements and meticulous songcraft of BAILEN’s debut album, Thrilled To Be Here, are rooted in the young group’s unusual self-assurance, preternatural insight and potent lyrical bite.

Bailen
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Fat White Family

Fat White Family’s first album Champagne Holocaust was released on April 1, 2013; an iconoclastic debut, a freakshow which reminded that, as with Throbbing Gristle/The Gun Club/Butthole Surfers/Jane’s Addiction before them, the outside is the only viable place from which to make true art. America beckoned, and all the temptations and troubles that go with the touring life. The carousel began to spin. When second album Songs For Our Mothers arrived in January 2016, the band were running on fumes. Incarcerated in a fiscal Gulag, every single member had developed serious problems with alcohol and/or hard drugs; most were homeless. They were just about held together by singer Lias Saoudi who had led, Rommel-like, from day one. Saoudi’s songwriting partner and band director Saul Adamczewski had been jettisoned from the band. Salvation came via the intervention of Domino, who signed the band and backed their frontman’s stratagem to move them away from temptation. In a sprawling suburb in the North of England they established Champzone studios and, bloodied but not unbowed, they hunkered down. The collective mission statement: to make a pop record, something to distance the band from the many Fat Whites imitators who had formed in their wake. Lias’ lyrical irony, previously adopted as a protective layer against insecurity and criticism, was discarded in favour of a forensic examination of the self, what the frontman describes as “a genuine mapping out of my innermost psychological landscape, without ever patronising the listener, which for me is the lowliest crime in lyricism.” Nathan Saoudi, Lias’ keyboard playing brother, honed his own songwriting contributions, and Adamczewski returned from both rehab and time working with his other band Insecure Men - freed from the past burdens of musically carrying the project, he sank his teeth in as producer-arranger. With the smoke cleared and the battlefield-free of casualties, Fat White Family re-emerge triumphant. Serfs Up! is a lush and masterful work, lascivious and personal. Tropical, sympathetic and grandiose. It invites the listener in rather than repel them through wilful abrasion. In one of the most gratifying and unexpected creative volte face in living musical memory, the band you hate to love have stormed the palace, ceased the throne, and are set to embark are on their imperial phase as overlords of a kingdom of their own making. The struggle continues, always, but for now… Serfs Up!

Fat White Family
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Rhye

Rhye’s sophomore LP Blood is getting the remix treatment. Blood Remixed finds over a dozen artists and producers reworking tracks from the original album, including Moon Boots, Jacques Greene, Channel Tres, Little Dragon, Jeff Samuel, and more.

Rhye
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