While he was working on Oxnard, the ever-ambitious Anderson .Paak was recording Ventura at the same time. As he explains it, both albums showcase the duality that has inspired the Grammy-award winning artist throughout his career. “Growing up in Oxnard gave me the grit and the church to find this voice of mine. One town over I went further and found my depth. [I] held one [album] back because that would have been too many songs to perform live!” Now with a more soulful sound representative of the beautiful, scenic Ventura, Anderson .Paak gives us “King James”, “Make It Better”, and more – with features including Smokey Robinson, André 3000, Nate Dogg among others. Welcome to Ventura!

On April 12, nine-time GRAMMY-winning singer-songwriter Norah Jones is releasing Begin Again, a collection of singles that gathers seven eclectic songs that Jones has recorded over the past year with collaborators including Jeff Tweedy and Thomas Bartlett. Begin Again will be released on 12” vinyl, CD, and as a digital album and features the new song “Just a Little Bit,” which was produced by Jones and features her on vocals, piano, and organ along with Brian Blade on drums, Christopher Thomas on bass, Dave Guy on trumpet, and Leon Michels on tenor saxophone. The singles Jones began releasing last summer ran the gamut from riveting electronic experiments to starkly acoustic folk ballads to organ-and-horn drenched soul songs. With the addition of three more previously unreleased songs, Begin Again presents seven snapshots of creativity from one of the music world’s most versatile and consistently intriguing artists.

With the release of his new record, 99 Cent Dreams, Eli Paperboy Reed begins his second decade as an artist much in the same way he began his first: in love with soul music. Reed is ten years wiser this time around, writing with the kind of freewheeling confidence. The result is the finest of his career. Cut at the legendary Sam Phillips Recording in Memphis, TN, and produced by Matt Ross-Spang (Jason Isbell, Margo Price), 99 Cent Dreams is exuberant, a celebration of life delivered by an ecstatic messenger. Reeds arrangements on the album are lean, filtering vintage R&B, soul, and gospel through the heart of a modern songwriter. His stunning voice remains front and center but his performances have matured, a sign perhaps of the newfound perspective hes gained with fatherhood. Fueled by love and hope, this is a collection that, despite its moments of loneliness and pain, ultimately insists on seeing the bigger picture, on recognizing each and every day for the gift that it is.

The Ghost of Ohio, the second album released under the Andy Black moniker, is both a soundtrack to its comic book graphic novel counterpart and a thrilling standalone record of diverse anthems and ballads, in pursuit of a muse that transcends genre. The Ghost of Ohio saw Andy return to longtime collaborator John Feldmann, the producer and songwriter whose discography includes multiple Number One rock albums and gold/platinum certifications, including releases from Blink-182, 5 Seconds Of Summer.

This Wild Willing is Glen Hansard’s fourth solo album. Written and created in Paris, France with a band of brothers; new friends and old, more than 24 musicians collaborating on the album. From his partners in The Frames (Joe Doyle) and Swell Season (Marketa Irglova & Joe Doyle), to his touring family of players , to three Iranian brothers he met in Paris (the Kroshravesh brothers) , Glen brought together a group of global talents who each left an indelible mark on this recording. “It became quickly apparent in the studio we were onto something interesting. I was finding new ways into the existing songs and we were improvising new ideas every day. When you surround yourself with great musicians and do your best to keep up, stay loose, give little direction, and allow everyone to bring what they bring, something transformative may happen. This collection of songs is mainly made up of those that came through while improvising and following the melodic lines and threads. Sometimes when you take a small musical fragment and you care for it, follow it, and build it up slowly, it can become a thing of wonder. In this sense, some of these songs weren’t written in the traditional form; they were ideas followed to a conclusion. I want to thank all these great musicians for coming and giving these songs their best. All a song wants is to be heard. I hope something in this music can be of use to you. I know it’s been of great use to me to make it. Beauty is in the ear of the behearer.”

Known for his outspokenness, impassioned live show and Outlaw Country tunes, Aaron Lewis is back with new album STATE I’M IN, the follow-up to SINNER, which went No. 1 on Billboard’s Top Country Albums, Top 200 Albums, and Top Digital Albums Charts. Lewis, who fronted the wildly-successful Rock group Staind, sold 13 million albums worldwide and four consecutive top three debuts on Billboard’s Top 200, including the single “It’s Been Awhile,” which remains the most-played rock song of the decade.

Like their acclaimed ECM release Small Town of 2017 which The Guardian called "wistful and mesmerizing... tonally ingenious and haunting" Epistrophy by guitarist Bill Frisell and bassist Thomas Morgan was recorded at New York City's Village Vanguard. The new album once again captures the rare empathy these two players achieve together in this intimate environment. There are further poetic takes on pieces from the duo's beloved Americana songbook ("All in Fun," "Red River Valley," "Save the Last Dance for Me"), as well as another intense version of a composition by Paul Motian ("Mumbo Jumbo"), an artist whom both the guitarist and bassist knew well. Frisell and Morgan communicate the essence of Billy Strayhorn's "Lush Life" and the Frank Sinatra hit "In the Wee Small Hours of the Morning," so much so that the famous words seem to hang in the air even without a singer. At the center of the album is a pair of pieces by Thelonious Monk: the funky, angular "Epistrophy" and the ruminative ballad "Pannonica." And as with "Goldfinger" on Small Town, Frisell and Morgan offer a glowing duo interpretation of a melody-rich John Barry title tune from a James Bond film "You Only Live Twice."

On her fifteenth studio record, Melissa Etheridge presents her first original material since her 2014 album, This Is ME, following her critically acclaimed Stax tribute record, Memphis Rock and Soul. Produced by longtime collaborator John Shanks, The Medicine Show features some of her most honest songwriting to date, paired with beautiful instrumentation and her signature roaring guitar. Not only topically relevant in 2019, The Medicine Show further solidifies Etheridge’s in the current music scene and reminds us why Etheridge has remained one of America’s favorite female singer-songwriters for more than two decades.

As menacing and unhinged as ever, the pride of Staten Island is back with their fifth full-length offering, V. Raw and absent of the modern technological trappings, the Budos pick up where they left off with 2014s Burnt Offering, and finds the group expanding on the brooding, fuzz-fueled riffs, whilst harkening back to the Ethiopian inspired rhythms and percussive proclivity that put Budos Band on the map.

Shovels & Rope is one of the hardest-working bands out there today. Throughout their career, Cary Ann Hearst and Michael Trent have constantly been touring, and all the while they’ve made music wherever they can, and recently they’ve taken on two giant new challenges; raising a (growing) family, and helming a successful music festival, Charleston’s High Water Festival. Their new album By Blood is a gritty, powerful look into their lives and the world around them, with tender songs commenting on their relationship, and human stories weaving throughout.

Live At The Observatory was recorded on 9/8/18 at the sold out kick-off show for the band’s Hypochondriac album tour. The San Diego based band will be supporting the live album with performances at the Coachella Music & Arts Festival (Indio, CA) in April, and additional tour dates to follow. The live record features tracks from the band’s entire catalog including five tracks from their 2018 album Hypochondriac. A must have any fan of The Frights!

DVD/Blu-ray/2CD package of Pet Shop Boys breath-taking show 'Inner Sanctum', filmed at London's Royal Opera House during a sold-out run in 2018 summer. The iconic duo's acclaimed production, first presented at the Royal Opera House in 2016 over four sold-out shows, was reprised at the venue for a further four nights in July 2018 as part of their 'Super' tour. Staged by long-term PSB designer Es Devlin and choreographer/director Lynne Page, the show was filmed by director David Barnard. Filmed on 27 and 28 July 2018, the full-length film on DVD and Blu-ray is accompanied by two CDs of the complete audio of the live show plus a bonus feature of PSB live at Rock in Rio, which was recorded on 17 September 2017 at the Brazilian festival. The 'Inner Sanctum' production won rave reviews for a musical and visual extravaganza which brought lasers, dazzling choreography and immersive visuals and stage design to the ornate surroundings of the Royal Opera House for an electrifying show. The set-list featured contemporary PSB material from their last two albums 'Super' and 'Electric' mixed with many PSB's classic hits from their peerless back catalogue including 'Love comes quickly', 'West End girls', 'It's a sin', 'Go West' and 'Always on my mind'.

Bibio returns in 2019 with Ribbons. Following his ambient atmospheric project, Phantom Brickworks, Stephen Wilkinson returns to the path of structured songwriting last explored on 2016s A Mineral Love. Ribbons yields folkloric charm with an organic palette, incorporating a mostly acoustic-led approach exploring 60s and 70s psychedelia, soul, ambient, electronic and field recordings. The album will be released on the 12th April through Warp Records.A self-taught musician, singer and producer, he plays nearly all of the instrumental parts on the album and unveils new instruments to his palette, bringing in mandolins, fiddle and other stringed instruments which give a new flavor to his music. But, while the sonics of the album are based around acoustic and other traditional instruments, the title Ribbons is extractedfrom the most electronic-leaning track on the album: Pretty Ribbons And Lovely Flowers. On the track, haunting, processed female vocals illuminate a route through dark ambiance and a repeating earthy distorted chord sequence. Referencing the endless ribbons of analogue tape and film used in his music, photography and cinematic work, the album artwork is designedby Wilkinson, where his portrait offers a window onto an English woodland scene with spring bluebells adorned with ribbons.Wilkinsons folk influences span 60s and 70s styles from Britain, Ireland and America; he mixes influences of homegrown acid folk with the dreamy harmonies of its Californian counterpart. He also pays homage to his past J Dilla and Madlib inspired works, this time drawing influence from the eras and records those producers sampled, such as 60s and 70s Dionne Warwick, Dee Dee Sharp and other soul artists, but rather than relying on sampling records, Wilkinson creates his homages from scratch with appropriate instrumentation. With his latest album Ribbons, Wilkinson oscillates between genres, pairing the unknown with the familiar and moving forward in a way that only he knows how to.

First time vinyl release ever of the LIVE AT THE PARAMOUNT concert. All editions include a 12x24” poster insert and a cloth sticky VIP pass replica of the original pass used that very night of the concert as the vinyl download card insert with download instructions on the paper-backing. Pressed on 2LP 180G vinyl.

Photobook (4 versions), CD, Mini Book (4 versions), Postcard, Clear Photo Picket (Limited randomly), Photo Film, Poster (4 versions).

All sales count towards SoundScan and the US Billboard Charts, as well as the Korean Hantao and Goan charts

Rhye’s sophomore LP Blood is getting the remix treatment. Blood Remixed finds over a dozen artists and producers reworking tracks from the original album, including Moon Boots, Jacques Greene, Channel Tres, Little Dragon, Jeff Samuel, and more.

M. Night Shyamalan brings together two of his standout original films—Unbreakable and Split— in this explosive comic book thriller. Elijah Price, also known as Mr. Glass (Samuel L. Jackson), finds David Dunn (Bruce Willis) pursuing Kevin Wendell Crumb's superhuman figure, The Beast (James McAvoy), in a series of escalating encounters. Price, armed with secrets critical to both men, emerges as a shadowy orchestrator.

DVD/Blu-ray/2CD package of Pet Shop Boys breath-taking show 'Inner Sanctum', filmed at London's Royal Opera House during a sold-out run in 2018 summer. The iconic duo's acclaimed production, first presented at the Royal Opera House in 2016 over four sold-out shows, was reprised at the venue for a further four nights in July 2018 as part of their 'Super' tour. Staged by long-term PSB designer Es Devlin and choreographer/director Lynne Page, the show was filmed by director David Barnard. Filmed on 27 and 28 July 2018, the full-length film on DVD and Blu-ray is accompanied by two CDs of the complete audio of the live show plus a bonus feature of PSB live at Rock in Rio, which was recorded on 17 September 2017 at the Brazilian festival. The 'Inner Sanctum' production won rave reviews for a musical and visual extravaganza which brought lasers, dazzling choreography and immersive visuals and stage design to the ornate surroundings of the Royal Opera House for an electrifying show. The set-list featured contemporary PSB material from their last two albums 'Super' and 'Electric' mixed with many PSB's classic hits from their peerless back catalogue including 'Love comes quickly', 'West End girls', 'It's a sin', 'Go West' and 'Always on my mind'.