Nobody Loves You More is Kim Deal’s debut album, although it’s technically not her first release under her own name – she self-released a 5-part, 10-song 7” vinyl series in 2013, and beyond that, she’s earned her stripes as early as the late 80s with bands Pixies and The Breeders.

The long-awaited record’s creation began with its oldest songs, 'Are You Mine?' and 'Wish I Was,' which were written and originally recorded in 2011 and included in said vinyl series, shortly after Deal concluded Pixies’ ‘Lost Cities Tour’ and relocated to L.A. In the years since, the record took shape in pieces, coming to light with a variety of collaborators, including Breeders past and present (Mando Lopez, Kelley Deal, Jim Macpherson, and Britt Walford), as well as new friends like Jack Lawrence (The Greenhorns) and Savages’ Fay Milton and Ayse Hassan. Tracked over the last several years, the record’s last recording was helmed by iconic engineer and Deal’s close friend Steve Albini, tracking “A Good Time Pushed” with Jim and Kelley in November 2022. Sonically versatile and propulsively infectious, the resulting record is a celebration of Deal’s unmatched artistry, nodding not only to her career highlights with celebrated bands across the alternative landscape, but also to her immovable cultural weight.

“You have to see them in concert,” is what fans of The National have been preaching for years. “The songs transform. It’s a whole other level.” Recorded live (without overdubs) in June 2024 at an architecturally stunning venue named for famed Italian film composer Ennio Morricone, Rome is the definitive live document of The National. The 21-track double album is truly career spanning, and showcases scintillating versions of beloved songs like “Bloodbuzz Ohio,” “Don’t Swallow the Cap,” “I Need My Girl,” “The System Only Dreams in Total Darkness,” “England” and “Fake Empire”; plus sharpened readings of recent tracks “Eucalyptus,” “New Order T-Shirt,” “Tropic Morning News” and the boundary-pushing “Smoke Detector.” The National’s setlist changes significantly show to show, revisiting their 25-year catalog to cast fresh light on hidden gems. For Rome that includes the show opener “Runaway,” “Lemonworld,” “The Geese of Beverly Road,” “Lit Up” and a tour de force pairing of “Humiliation” from their critically acclaimed album Trouble Will Find Me into Sad Songs For Dirty Lovers’ “Murder Me Rachael.” The Rome encore features the election anthem “Mr. November,” and, from High Violet, “Terrible Love” and the show-closing fan singalong, “Vanderlyle Crybaby Geeks.” The live album was mixed by the band’s longtime collaborator Peter Katis. Reviewing a National performance this summer, NME wrote that “every song is played like it could be the last.” Rome captures that playing-for-keeps urgency on record and serves not merely as a concert souvenir but the latest vital addition to the band’s peerless catalog.

Before Linkin Park, our first band name was Xero. This album title refers to both this humble beginning and the journey we’re currently undertaking. Sonically and emotionally, it is about past, present, and future—embracing our signature sound, but new and full of life. It was made with a deep appreciation for our new and longtime bandmates, our friends, our family, and our fans. We are proud of what Linkin Park has become over the years, and excited about the journey ahead.

Gracie Abrams returns with her sophomore album, "The Secret of Us" released via Interscope Records. This is Gracie's most expansive body of work both sonically and narratively.  Coming off the heels of her hugely successful debut "Good Riddance" Gracie shows us how much she has accomplished in one short year. Gracie's growth as a songwriter and vocalist is showcased in her most extroverted album yet, as she continues to work with longtime collaborator Aaron Dessner. A portion of these songs were also written with Gracie's best friend, Audrey Hobert. This album was written with the urgency with which you run home to detail every moment of a night to your friend, with her live experiences over the past year having deeply shaped the identity of this album. 

The underground has always lost their minds over Defeated Sanity for the better part of three decades. The band are revered for infusing old-school death metal with jazzy chaos and the technical precision of a classical composer. But when these four maniacs were thinking about their seventh album, the idea was to go easy on the brainteasers and get back to snapping necks.
Chronicles of Lunacy isn’t Defeated Sanity for dummies. Whether he’s hammering blast beats or springing between crash cymbals, founding member Lille Gruber never stops changing tempos during lead single “The Odour of Sanctity”. But this album does draw a jagged red line back to Defeated Sanity’s brutal origins. Its concept is wrapped up in all the twisted ways that delusional thinking warps our mind.
“Alienation gives birth to an unceasing hatred”, Josh Welshman growls from the pit of his gut, as long-time bassist Jacob Schmidt pounds the mix with gravity-defying slams.
To recapture the raw low-end of fan favorite Psalms of the Moribund, in January 2024, Defeated Sanity entered Thousand Cave Studios with producer Colin Marston. “Accelerate the Rot” now stands as the fastest ass-beater in their canon thanks to new guitarist Vaughn Stoffey, who’s eerie, pig squealing dissonance shreds like a rusty butcher knife.
On Chronicles of Lunacy, Defeated Sanity return to brutality.